Sunday, April 30, 2006

Prompted by my friend Frank's post at Metroblogging Montreal, and the realization that I've grown slack with any additions the site, I added a bunch of entries to The Archi-Tourist over the weekend.
:: Contemporary Art Museum St. Louis, St. Louis

:: The Pulitzer Foundation for the Arts, St. Louis

:: Chaussegros-de-Lery Complex, Montreal

:: Cite Multimedia 7, Montreal

:: Cite Multimedia 8, Montreal

:: Cirque du Soleil Dormitory, Montreal
As always, at The Archi-Tourist contributors and contributions are always welcome!

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Friday, April 28, 2006

The Office for Metropolitan Architecture (OMA) is a leading international partnership practicing contemporary architecture, urbanism and cultural analysis.
And my favorite sentence in their job post at Archinect (my emphasis):
Candidates must be highly creative, innovative and must feel confident in a complex, stressful and chaotic context.
At least they're honest.

3 Comments:

At Saturday, April 29, 2006 3:27:00 PM, Blogger ayat said...

but they havent mentioned anything
in their website.

 
At Sunday, April 30, 2006 6:07:00 AM, Blogger the silent observer said...

You should check out the forum over at Archinect...there is a thread devoted completely to the pros and cons of OMA as an potential employer....some funny stuff

 
At Sunday, April 30, 2006 6:08:00 AM, Blogger the silent observer said...

btw...thanks for adding me to your blogroll..

 

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One of the clearest signs of a thriving economy, progress, and all that comes with that is cranes. After the Berlin Wall fell and buildings started to fill the gaps in the bombed-out city, a skyline of cranes was the most prominent image for the place.

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Image from here

Now, that distinction of "crane capital" would probably go to Dubai or China. Regarding the latter, I heard today that more than half of all cranes in the world currently reside on construction sites in China, an amazing fact (if true) though not necessarily surprising.

There seems to be some strange appeal for cranes, evidenced by the web page Crane Porn and an article in today's Chicago Tribune that focuses on a crane operator for Trump Tower. The graphic below is a handy guide to that tower crane (click it for the larger view with annotations).

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Crane Links:
:: Crane Porn
:: Crane Porn Flickr Pool
:: Wikipedia page
:: FreeFoto.com

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According to the Chicago Tribune,
Ned Cramer, the first full-time curator at the Chicago Architecture Foundation, is leaving the non-profit group known for its tours and other programs to become editor of a planned architecture magazine in Washington, the foundation says.
In his nearly four-year tenure as curator, Cramer has brought many interesting exhibitions to the CAF, including the Big & Green show on sustainable architecture and the current one on public space.

(Thanks to Sally for the head's up!)

On a side note, it's annoying to see Blair Kamin ending his all-too-brief report linked above with the sentence, "He also was a vocal supporter of the Soldier Field renovation." Back in 2004, Kamin anticipated Soldier Field's loss of landmark status, a position he's been pushing for quite a while. As Lynn Becker points out, "Kamin...made the new Soldier Field his own Baby Richard, filling up column after column of derisive critiques even after all doubt that the project would be built had been removed."

So even after landmark status has been dropped, the issue isn't apparently dead for Kamin. It's almost like he must mention Soldier Field in every damn column that he writes, be it appropriate or not, in this case not.

1 Comments:

At Friday, April 28, 2006 10:33:00 PM, Anonymous Anonymous said...

I don't know why they don't just replace him. He seems to like certain architects' work, no matter what. But for others it's just the opposite. He criticized Teng's Shangri-la because they don't have enough high rise experience, but he loves Studio Gang who has a wopping two buildings to her name and commends Loewenberg, who he hates no matter what is built, for his philanthropy in hiring Gang. Being who he is and writing for the paper he writes he needs to be a lot more responsible for his comments since the average lay person is going to read this stuff and take it for granted. A good building is a good building and a bad building is a bad building. I wonder how his opinions would look if the work he criticized remained anonymous.

 

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Wednesday, April 26, 2006

Lisa Chamberlain at Polis, teaming up with Curbed, has started a contest to "Nominate the Best Jane Jacobs Block in NYC". She explains that "the idea is to celebrate the 'street ballet' of your favorite block...because it exhibits the characteristics that Jane Jacobs enumerated as essential ingredients to a quality urban life," ingredients she enumerates in her post.

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I would probably submit what's above, but I don't meet the guidelines (I only have the one photo). Regardless, I'll explain what I like about it and how it meets the essential ingredients.

The block is at the intersection of MacDougal and King Streets in Soho; the photo is taken from 12 Chairs, a great little cafe that expanded in the last couple years. As you can maybe see by the photo, MacDougal is a thru-street while King Street ends in a T-intersection at MacDougal, a very rare situation in Manhattan. This condition is part of what makes this block of MacDougal (from Houston on the north to Prince on the south) so appealing: it's reduced traffic, it's mixture of two short streets, and the surprise of the T-intersection. Personally, I just love sitting in the cafe and staring out the window, a la the image above.

Like a lot of blocks in the area, it fits the four Jacobsonian ingredients that Lisa mentions:
1-Mixed primary uses: Retail and apartments, with a little business space as well.
2-Short blocks: Two short blocks, as noted.
3-Old Buildings: The buildings here are old yet unexceptional, perhaps making them a bit more affordable in what's an extra-expensive area.
4-High density: Party wall buildings are all along these blocks (though there might have been a vacant lot or two in the past, I can't recall and am 1,000 miles away at the moment).
Visit Polis and Curbed for more information. Contest ends Friday, May 12.

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Tuesday, April 25, 2006

Jane Jacobs, the author of the legendary and immensely influential book The Death and Life of Great American Cities (among numerous other titles) died today in Toronto at the age of 89.

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To learn more about Jacobs, check out Michael Blowhard's recent brief history and an interview with James Howard Kunstler from 2001.

2 Comments:

At Thursday, April 27, 2006 12:44:00 PM, Blogger Bryan said...

I picked up this book of hers at a B&N once and read a few pages. It is good stuff.

 
At Thursday, April 27, 2006 7:35:00 PM, Blogger marissa said...

not sure if you saw this, but you can leave a message or memory for her family here: http://www.janejacobs.tyo.ca/

there's also book of condolence available to sign in person in toronto.

 

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Monday, April 24, 2006

My weekly page update:
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M House in Nagoya, Japan by architecture w.

The updated book feature is The Beatles: The Biography, by Bob Spitz.

Some unrelated links for your enjoyment:
What to do with Southpoint Park?
Young architects from around the world ponder the question. (via ArchNewsNow)

Urbanscapes
"Architectural Speculation :: Landscape Future :: Urban Morphosis" (added to sidebar under blogs::urban)

noticias arquitectura
Now also in blog form. (added to sidebar under blogs::architecture)

2 Comments:

At Thursday, April 27, 2006 12:48:00 PM, Blogger Bryan said...

Are the photos of that house in b&w, with just the yellow allowed to show, or is that house all white with a single yellow room?

If it's the latter, I don't like it. What's the point of having a house that has such large windows, and even a removable (window?) that lets you listen to the outside, if you are just living in a pure white artificial environment?

 
At Thursday, April 27, 2006 12:58:00 PM, Blogger John said...

Bryan - those photos are in b/w with the yellow showing through for effect. Click on those small b/w images for larger, color images.

 

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Sunday, April 23, 2006

Below is 5NOVE/Alessandro Console's winning entry in Arquine's international competition for a Site Museum in Tulum, Mexico. Many thanks to Alessandro for providing the text and images.

Making Radura

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The project relates itself with two different contexts: the archaeological site of Tulum and the forest.

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Click image for larger view

Our strategy of intervention tends to reassume the tension of this twofold relation in a single design gesture. In this spirit, the museum assumes a hypogenous character establishing with its roof a platform that defines a glade in the surrounding space of the woodland.

The museum develops itself below the ground level, under the glade. It is a monolithic element, enveloped by stone panels, on which is elaborated operations of addition and subtraction in order to enlighten the space of the museum.

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Click image for larger view

The project defines then two parallels spaces: the underground rooms that are related to the imagery of the ancient Mexican architecture, and an upper ground virtual room that is formed by the sky and the trees. The museum is reached through a non-linear path that connects the level of the street with the level of the building. It is an experential path that does not reveal immediately the museum, but instead it exposes it progressively.

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The museum is formed by a series of autonomous rooms that are set together in a way to create a series of different paths inside the expositive spaces. The rooms are alternated with open spaces that allow lateral illumination. Vertical illumination is assured by the series of lithic elements on the roof that captivates and inserts the light. The walls are characterized with a superficial treatment that is inspired from the antic decoration of the Maya civilization, creating a texture that filters and decompose the external light.

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Click image for larger view

Project Team: Alessandro Console, Giuditta Benedetti, Alessio Cancellieri
5NOVE is: Alessandro Console, Gina Oliva, Andrea Canale, Alessio Cancellieri and Giuditta Benedetti.

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Friday, April 21, 2006

Some articles that caught my attention today.
:: Security Concerns at Ground Zero
No, not Freedom Tower again; this time it's the Memorial. It sounds like a Catch-22: the design "encourages and engenders public interaction," which in turn, "constitute[s] vulnerabilities from a security perspective..." Can a public space ever be completely safe from terrorism? And still be truly public? (via Archinect)

:: Strangers on a Train
The Wall Street Journal covers the "Dan Ryan Dig" from the perspective of whiny drivers who now are taking commuter trains and public transportation. (via Gapers Block)

:: Americans commute longer than ever
According to the U.S. Census Bureau, "2.8 million people have so-called extreme commutes, topping 90 minutes." You don't say. (also via Archinect)

:: Top 10 Green Projects of 2006
Didn't think I could end on a car story, did ya? Sarah at Inhabitat covers the AIA/COTE's top ten, which includes the Solar Umbrella House, the World Birding Center + 8 more. (thanks Sarah!)

Have a Happy Earth Day!

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Looks like it's getting harder to find cutting-edge architects under 40.

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(found over at dezain)

3 Comments:

At Friday, April 21, 2006 12:03:00 PM, Blogger bpass said...

word to that hilltown....i think the few projects my buddy and i have done since i've moved to NYC are better and more thoughtfull than a lot of (not all) the crap that finds its way into these type of books...unfortunately we just are not connected i guess...or have a phat trustfund to back us...the more time i spend in this profession the more the harsh truth is that
architecture is not unlike an aristocracy

 
At Saturday, April 22, 2006 10:58:00 AM, Blogger mad architect said...

Do you think that they haven't bothered to look for any, instead reusing the architects previously mentioned. I own the "under" and found myself checking the ages of those architects mentioned and most were over 40. I think the reality of it is that there aren't many architects under that age who have a substantial practice/body of architecture. If I'm wrong however maybe its time we create our own list.

 
At Saturday, April 22, 2006 8:13:00 PM, Blogger Bryan said...

Perhaps the problem with architecture in general is that talking about unestablished/untested architects aren't worth wasting your time talking about. And just how many architects get established before they are 40?

 

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Wednesday, April 19, 2006

Cylinders is an architectural installation by Indio, California-based The Art Office.

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They are "members of a 27-piece tight-knit family...activated through natural and artificial light."

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"Their recorded information disperses as one navigates around and amongst the pieces."

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"Through their particular geometrical and structural parameters, each piece acquires its own character and sensibility."

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"They are meant to be viewed from above, below, and from eye to eye."

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"They are here to inspire, to share, and to converse with."

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To me these repetitious, permeable, illuminated objects hold an immediate appeal. Their process and construction create not only an exterior form but also an interior space. With this in mind, it's clear that the The Art Office wants to take this design to the next level: inhabitable spaces.

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More information and images at The Art Office's blog.

2 Comments:

At Thursday, April 20, 2006 8:18:00 AM, Anonymous Anonymous said...

Reminds me of my 5th grade art class project: fun with popcycle sticks!

 
At Friday, April 21, 2006 7:42:00 PM, Anonymous Anonymous said...

i can't find any info on the links provided about when & where this installation is! help!

 

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Some local Architecture for Humanity events this week to pass along:
After Katrina: Rebuilding and Re-envisioning the Gulf Coast
Hosted by: Chicago Foundation for Architecture
April 20, 2006 @ 6PM
The John Buck Company Lecture Hall Gallery, 224 S. Michigan Ave., Chicago, IL.

PANELISTS
Reed Kroloff, Dean, School of Architecture, Tulane University
John Norquist, President and CEO, Congress for the New Urbanism
Kate Stohr, co-founder, Architecture for Humanity
Thomas Murphy, Urban Land Institute
Moderated by Ned Cramer, Curator, Chicago Architecture Foundation

For more information, visit the CAF.

re:FAB
Hosted by Civic Blueprint
April 21 @ 7:30 pm
Salvage One - 1840 W. Hubbard, Chicago, IL

Join Chicago's design community at a benefit hosted by Civic Blueprint to benefit Architecture for Humanity. Live performances by Rebirth Brass Band of New Orleans. Spirits and hors d'oeuvres. Silent Auction. Architecture for Humanity-Chicago competition winners will be on display.

Tickets $75-$88 depending on date and method of purchase. Visit the event's web site or email Civic Blueprint at refab@thecivicblueprint.org for further information.
Update 04.21: Check out the Gutter for a first-hand account of Thursday night's panel discussion.

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Monday, April 17, 2006

I've always seemed to have a sweet spot for the underdog, the little guy. Even in middle school, when faced with the choice of which Canadian province to write a report about, I chose Prince Edward Island, the smallest province in both size and population. Perhaps it's this innate appreciation or curiosity of the small and overlooked that's spurred my interest in Tikopia, a tiny island in the South Pacific that's home to about 1,200 people.

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The Solomon Islands is a nation made up of close to 1,000 islands.

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Part of the Solomon Islands are the Santa Cruz Islands. Tikopia lies southeast of these islands, approximately 85 miles from its nearest neighbor Anuta and 140 miles from Vanuatu, the nearest large neighbor (100 sq. miles in area).

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Tikopia's area is approximately 1.8 square miles (though some places indicate it as high as 6 square miles), which means that with 1,200 people it supports a population density of 800 people per square mile. Unbelievably, the island has been occupied continuously for almost 3,000 years.

These tidbits of information in the previous paragraph -- and the direct impetus for my research into Tikopia -- are from Jared "Guns, Germs, and Steel" Diamond's book Collapse: How Societies Choose to Fail or Succeed. It's apparent from the fact that this little island's been occupied for so long -- through climate change, Europeans, and storms (this last one to be touched upon in Part 2) -- that it has "chosen" to succeed.

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Image found here

One amazing aspect of the island is that its population has remained relatively constant for its entire history. Blessed with trees and other vegetation that's quick to regenerate, feeding humans and animals was never a problem. All members of society -- from ordinary people to chiefs -- worked together to live sustainably, meaning not placing a burden on natural resources via overpopulation.

Various methods were and are used to keep the population steady: birth control, not having babies too young, extended breast-feeding to reduce additional babies too soon, even undertaking sailing expeditions and other "suicide missions" to "thin out the ranks." The most remarkable method was the removal of pigs around 1600, substituting fishing as a source of food. This accomplished two things: it removed a tasty food source that could raise the island's population too high and it saved a lot of vegetation being eaten by the pigs too fast for regeneration. What's remarkable is that the islanders were able to stop a long-established custom even before something disastrous happened. That would be like Americans giving up their cars before global warming and peak oil gets out of hand, or for Americans to stop eating McDonald's before they have a heart attack. This decision also is remarkable because it involved all members of Tikopia's society, in a combination of what Diamond calls bottom-up and top-down approaches, though this can be partly attributed to the small population and land mass they all share.

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But if we stop for a second and think of Tikopia analogously, maybe there's lessons that can be learned for the rest of the world and the US in particular. If we think of the earth as an island that all humans share -- a huge Tikopia, if you will -- then maybe people would realize their actions affect everybody else, now and in the future, much like the Tikopians were and are aware of their interdependence on each other and the physical island. Their decision-making, especially regarding pigs, was the result of a fairly egalitarian system, even though their societies is headed by chiefs. I find it hard to believe that the same decision could be made in a class system, where those at the top exclude and insulate themselves from those at the bottom, and those in the middle become a sort of buffer between the two.

In Part 2, we'll see how Tikopia and the rest of the world dealt with Cyclone Zoe when it hit the tiny island in December 2002.

6 Comments:

At Monday, April 17, 2006 7:05:00 PM, Blogger bpass said...

looks like the opening setting in terrence malick's Thin Red Line....

 
At Monday, April 17, 2006 9:44:00 PM, Blogger John said...

As does wherever they filmed The Bounty, which I saw last nite. That true story is centered near this island, on Pitcairn Island.

 
At Monday, April 17, 2006 9:48:00 PM, Blogger John said...

Though it looks like, my friend, that Thin Red Line was filmed partly on the Solomon Islands, but not Tikopia. Most of it was filmed down under.

 
At Monday, April 17, 2006 11:43:00 PM, Blogger Bryan said...

Mmm, what I'd give to live on some South Pacific Island for a couple of years...

 
At Saturday, April 22, 2006 11:06:00 AM, Blogger mad architect said...

My island has 5000, and we are nothing like that - maybe we should send a few on suicide missions.

 
At Friday, May 12, 2006 11:12:00 AM, Anonymous James Trimarco said...

If you're interested in Tikopia, I'd suggest Raymond Firth's extensive ethnography, We the Tikopia, and also Myth and Ritual in Tikopia.

James

 

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My weekly page update:
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Chicago Townhouse in Chicago by Alexander Gorlin Architects.

Some unrelated links for your enjoyment:
Business Week Architecture
Archive of online articles from Business Week magazine, a decent, growing resource. The latest is the 2006 Business Week/Architectural Record China Awards.

NowPublic
I'm not exactly sure how this forum for sharing news works, but it looks interesting.

Gather
I'm also not too sure how this interesting-looking site works, a "place where informed, engaged people share perspectives on everything."

1 Comments:

At Friday, November 17, 2006 10:17:00 PM, Anonymous Anonymous said...

Excellent, love it!
» » »

 

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Sunday, April 16, 2006

Heading to Northbrook for some Easter brunch n' dinner, I finally took some photos of a particular block that I recently noticed as a composed whole. The most well known composed street in the area is Chicago's Alta Vista Terrace, planned and built in the early 1900s, where "every townhouse on one side is duplicated with only minor variations at the diagonally opposite end of the block."

The Northbrook block comprises only one side and uses an A-A-B rhythm across it, where the A houses face the street (left in image below) and the B houses face the side (right one below). Since there's an even number of houses, the only variation in the rhythm is a B-A-B at one end; otherwise the only variations are the exterior cladding and articulation of the Colonial style houses and the driveways.

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Click image for the whole block view

I don't know the specific history of this block (when, how, why), but it offers an interesting example for suburban developments. Today, suburban developments tend to be literally cookie cutter or extremely disconnected, swinging from too much to too little control of the physical results. This block in Northbrook not only straddles the two but also offers shared spaces (such as the driveway above) that may be a small means of increasing a sense of community and a good alternate to today's overly private living.

Update 04.17: One interesting aspect of this block that I just remembered is that while all the surrounding blocks are experiencing tear-downs of existing houses being replaced with turreted McMansions, this block is immune from that widespread trend. This can be partially attributed to both the fact that these existing Colonials are pretty big already and the overall composition of the block. Tear down one, replace with a McMansion, and the block is ruined.

1 Comments:

At Monday, April 17, 2006 5:42:00 PM, Blogger doctor said...

The neighborhood seems like a great example of employing a contextual strategy that allows for a certain amount of flexibility, yet also hinders negative change.

You only become aware of the dormant system when it is threatened to be altered. Not a bad strategy for development.

 

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Friday, April 14, 2006

Some in-progress construction photos of BMW Welt, a "center for brand experience and vehicle delivery" in Munich, Germany, by Coop Himmelb(l)au, from their site.

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Back in January, Canadian theme-park designers Forrec unveiled their plans for Navy Pier's future, which included a floating hotel, an indoor water park, and a monorail stretching the length of the pier, all rendered in old-timey postcard views.

In reaction to that plan, RTKL asked young designers from its nine offices around the world to develop conceptual designs for an informal, in-house competition. These designs were unveiled on April 7 and covered in a Tribune article yesterday by Blair Kamin.

Here's three of the four awarded designs, obviously scanned from the newspaper:

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RTKL Baltimore - click image for expanded view

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RTKL Los Angeles - click image for expanded view

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RTKL London - click image for expanded view

I would agree with Kamin that the designs are highly impractical, but that's not necessarily important here. Competitions like this -- besides raising the image of RTKL -- help to generate a buzz and a discontent about the proposed plans for Navy Pier. This buzz would hopefully lead to McPier looking for another architect, or even holding their own competition for the future of the most popular tourist spot in town.

For more information on the designs and in-house competition, check out RTKL's Pier Pressure article (PDF).

1 Comments:

At Friday, April 14, 2006 2:47:00 PM, Blogger Marco Valente said...

One would have to get used to the odd design. I love unusual functional buildings. Unfortunatly a number of the monumental unique buildings do not fillfull that fundamental requirement of being functional! In my opinion that is one of the top aims for a building!

 

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Thursday, April 13, 2006

Earlier today I was browsing useful + agreeable's archives and was struck by a few images that all happen to be in Chile.

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Check out their archives yourself for much, much more non-Chilean stuff.

1 Comments:

At Saturday, April 15, 2006 1:29:00 PM, Blogger MM said...

Hi,
there is a lot of good architecture in chile. Here is one example (Smiljan Radic)...http://www.scielo.cl/pdf/arq/n61/art08.pdf.
Try also Alejandro Aravena, Izquierdo y Lehmann, Cecilia Puga and Juan Sabbagh...

Cheers

 

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Wednesday, April 12, 2006

As part of its exhibition opening Friday, Leonardo da Vinci: Man, Inventor, Genius, the Museum of Science and Industry features fifteen of the exhibit's forty Modern-Day Leonardos online. The website explains,
[Da Vinci's] willingness to go against accepted beliefs in his fearless quest for knowledge; his pursuit of truth without bias; and his belief that in even the smallest parts of nature we find the blueprints for amazing technologies echo in the work of today's leading scientists and engineers.
Of these fifteen "Leos", two are related to architecture.

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Santiago Calatrava
"Combining art, science, technology, and architecture, his designs twist, lean provocatively or look like they could take flight at any moment."

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William McDonough
"WM + P'’s innovative and ecologically sound design solutions have proven to be good for the bottom line, as well as for people and the environment."

When I think of da Vinci, I think of his broad range of applied knowledge. So to me, a Modern-Day Leonardo is an oxymoron, because specialization doesn't allow the freedom to seriously pursue even slightly unrelated undertakings. Calatrava's blending of art, architecture, and engineering is understandable, though nowhere near the "multi-tasking" of Leonardo: art, architecture, mechanics, medicine, music, nature. As well, contemporary society lacks the focus of the Renaissance which enabled Leonardo to attempt and achieve so much.

Regardless, I admit that there are many people out there who don't know the bounds of specialized careers, blurring the lines that usually separate one discipline from another. James Turrell comes to mind, trained in science though embraced by art circles. Any other Modern-Day Leonardos out there?

3 Comments:

At Wednesday, April 12, 2006 5:38:00 PM, Anonymous Andrew said...

Don't forget Jaime Lerner.

Not a great article though. A dozen people doing impressive, important stuff. A few are multidisciplinary, but most are highly specialized.

Specialization turns Da Vinci into Galileo. Still brilliant, but not Da Vinci.

 
At Thursday, April 13, 2006 1:36:00 PM, Blogger John said...

And I just remembered Bucky Fuller. Sure, he's dead but if somebody "modern" comes close to Leonardo it's him.

 
At Friday, April 14, 2006 7:45:00 AM, Blogger Frank said...

Yeah, if I had to say I have an idol or someone I aspire to be it would be DaVinci, Calatrava, and Fuller.

I'm pretty sure I saw this exhibit in Paris ten years ago. Cool stuff. It would be cool to see it again when we're in town.

 

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Here's a visual tour of the Nova Dvur Monastery west of Prague in the Czech Republic.

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An estate was acquired for the new Cisterian monastery, which included a Baroque manor house and three agricultural wings framing a courtyard.

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The new monastery was designed by John Pawson, an appropriate choice for a monastic order with an historic "emphasis on the quality of light and proportion, on simple, pared down elevations, restrained detailing and spatial clarity."

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Pawson's scheme preserves the Baroque manor, while replacing the three agricultural wings with new construction built upon the old footprints. The pared down elevations and space of the new Church is apparent in these drawings.

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The existing buildings were extremely deteriorated, requiring extensive restoration -- carried out by Atelier Soukup -- and helping to determine what could be reused and what would need to be demolished.

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Since construction started with the manor house restoration, by the time the Church began construction, monks were already living on site.

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The shell of the Church was ready for Easter mass in 2003, with final completion and consecration of the Monastery and Church on September 2, 2004.

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The circular form of the Church is the most distinctive exterior gesture of the design.

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The cloister is one of the most important aspects of the monastery. This corridor outside the church space borders the cloister, its barrel-vaulted space recalling traditional courtyard loggias as well as the Church exterior.

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This circular shape is carried through effectively to other parts of the design.

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The main church space is very simple, but this simplicity is balanced by dramatic lighting and a grand scale.

Some details:

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5 Comments:

At Wednesday, April 12, 2006 9:27:00 PM, Blogger Marco Valente said...

Wow, I love the pure looking interiors!

 
At Thursday, April 13, 2006 10:54:00 AM, Anonymous Anonymous said...

What a shame...had the chance to make something beautiful.

Just what we needed, another wallmart without the inventory.

 
At Thursday, April 13, 2006 8:48:00 PM, Anonymous Craig said...

Anonymous said...
What a shame...had the chance to make something beautiful.

Just what we needed, another wallmart without the inventory.

Are You Blind?

 
At Friday, April 14, 2006 11:16:00 AM, Anonymous Lil'G said...

I extremely agree with Craig about anonymous' statement.

What Pawson did in this case represents everything that is right/good with minimalist design.

anonymous...check yourself...you've have a lot to learn

 
At Friday, December 15, 2006 12:38:00 AM, Anonymous Anonymous said...

pity that you can't see the beauty in it. If only Walmart looked like this!

 

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Tuesday, April 11, 2006

I found out about this installation by Jasper de Haan over at Dexigner. Blue Darkroom is a "spatial installation in a room whose walls are coated with phosphorescent paint," on display now in NAI's Nest gallery -- "a simply designed gallery for solo presentations measuring 15m2 (160sf), where each six weeks a different artist, architect or designer shows personal work" -- until May 6.

Missing image - bluedarkroom.jpg

The eerie and cloudy effect portrayed in the photograph above recalls the loss of detail and depth of Diller + Scofidio's Blur Building in Switzerland, below.

Missing image - blur3.jpg

While the latter uses an undefined boundary (misted droplets of water) to disorient the visitor, the former works within a well-defined boundary (15m2 room) in a manner that appears to create the same effect.

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tree_face
And the trees are getting frisky.

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Monday, April 10, 2006

Architecturally, there's only one really big bit of news today. In a rather unexpected announcement, Brazilian Paulo Mendes da Rocha has been named the 2006 Pritzker Architecture Prize Laureate. The Pritzker media kit and a photo booklet of the architect's work are available in PDF format.

Missing image - rocha.jpg

I'm a big fan of the relatively unknown (before today, at least) architect who I've featured twice on my weekly page:
:: Brazilian Museum of Sculpture
:: Square of the Patriarch
Congratulations Paulo!

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