Tuesday, July 31, 2007

Since 2002, 0lll has documented and published the construction process of the Serpentine Gallery Summer Pavilion. This year's pavilion is by artist Olafur Eliasson and Kjetil Thorsen of Snøhetta and is set to open in August, remaining on site until November.

serpentine2007.jpg

Click the image to check out the ongoing construction process.

3 Comments:

At Tuesday, July 31, 2007 7:53:00 PM, Blogger jimmy said...

I think this is going to be a great pavillion.

I love Eliasson's work and I'm really looking forward to his exhibition @ SF MoMA this September.

 
At Wednesday, August 01, 2007 1:37:00 AM, Blogger shubh cheema said...

The collection of pics is amazing !!!!....

 
At Wednesday, August 01, 2007 9:38:00 AM, Blogger eBohn said...

Ah... in London!

 

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Just like last year, PartIV is holding its own unofficial Stirling Prize Poll. So head on over for some antifreeze and a vote.

stirling07.jpg

To acquaint yourselves with the nominees, check out the Guardian's slide show of the seven projects under consideration.

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Monday, July 30, 2007

At City Comforts I came across Walk Score, a web site that "calculates the walkability of an address by locating nearby stores, restaurants, schools, parks, etc.," using Google Maps. The image below shows a location (88 Bedford Street in Manhattan's West Village) with a walk score of 100 out of 100. Trying a couple other locations, my current address in Astoria, Queens scores 92 and my childhood home in the suburbs of Chicago scores a 57, each reflecting their respective (sub)urban conditions.

walk-score.jpg

But is this scoring the best way of measuring and determining walkability? The programming includes commercial, institutional, educational, and recreational locations (a good mix), but then measures proximity based on "as the bird flies" distances, ignoring things like safety, terrain, sidewalks (or lack thereof), climate, and other pedestrian-level concerns. The comments on the City Comforts post pick up on these and other deficiencies that probably can't be addressed by this basic programming, but that should be part of the discussion on walkability. This points to walkability being more than just mixed-use zoning and proximity, but also the design of the public realm, design that hopefully takes these and other pedestrian-level concerns into account.

3 Comments:

At Monday, July 30, 2007 8:05:00 PM, Anonymous Anonymous said...

I compared where I live now in NY to where I lived in Chicago, and new york scored higher. I thought this imbalanced, mostly because of the flaws you pointed out, but also because the in Chicago the train was a block away and now is 8 blocks.

I also compared my apartment near the University of Cincinnati to my relatives house in Wilmington, DE. They scored essentially the same, despite that I live above a market and 3 blocks off campus. The small pocket parks near their house each counted for as much as the landscaped woods near mine, the gradeschool waas counted, but the university was not.

On campus are multiple food stores, small markets, tech stores, and libraries. None were counted. However the 3 gas stations seemed to be a jackpot for my relatives because of the dunkin donuts, ice cream, and subway addons. Despite that the winding roads, cul de sacs, and fences made that trip .5 miles despite the advertised .2

Without planning it, I admittedly had chosen two unlikely anomalies, but size and desired clientele seemed to throw this out of whack

 
At Thursday, August 02, 2007 3:46:00 PM, Blogger cindy leibman said...

This post has been removed by the author.

 
At Thursday, August 02, 2007 3:47:00 PM, Anonymous Anonymous said...

I live in Denver in one of the most 'urban' neighborhoods possible around here and ended up with a score of 86, which seemed to be the best in our office (of architects who all believe in walkable communities!). So, I thought that that was pretty good until I went back through and discovered that all of the grocery stores listed were 7-11's, the libraries listed were all part of private hospitals in the neighborhood and 'Kitty's Adult Emporium' was listed both as the closest movie theater and book store. I do live in a walkable neighborhood, but going through that data made me very skeptical about what shows up on the map and how much you can trust it.

Hopefully this is just the start of some interesting programs that can break down the health of an urban community with data.

 

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The World Without Us is a new book by journalist Alan Weisman that is receiving a lot of press, certainly due to its timely, science-fiction premise: what would happen to the earth if humans disappeared?

weisman1.jpg

The book first came to my attention in a recent Scientific American interview with the author, which includes a description -- with online video and timeline companion -- describing what might happen to Manhattan without people maintaining infrastructure, buildings, and the landscape.

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While I'll admit it's interesting to ponder what would happen a few days after humans theoretically disappeared, or a few weeks, years, millennia, the effort ultimately must be about, as Weisman describes, "another way of looking at...what goes on in our presence." If the book affects the way we do things remains to be seen, but the lasting impact of human-created things like plastic and nuclear waste, when seen in the context of a human-deprived world, may not be enough to change our ways.

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My weekly page update:
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Condominium Trnovski Pristan in Ljubljana, Slovenia by Sadar Vuga Arhitekti.

The updated book feature is Formula New Ljubljana, by Sadar Vuga Arhitekti.

Some Slovenia/Ljubljana links for your enjoyment:
Far from Home: Contemporary Slovenian Architecture in the Making
Kontakt magazine explores 2004's 6IX PACK, a traveling exhibition on six young Slovene architectural practices.

Arhitekturni Muzej Ljubljana
The Architectural Museum of Ljubljana, the "central Slovenian museum for architecture, physical planning, industrial and graphic design and photography.".

Slovenia Cultural Profile
The Profile is part of the Visiting Arts Cultural Profiles project, created "to provide both cultural professionals and the general public with a comprehensive picture of Slovene culture, with the aim of enhancing international awareness and encouraging and facilitating creative dialogue and exchange."

2 Comments:

At Monday, July 30, 2007 10:30:00 AM, Anonymous iaakuza said...

I think the Vuga's works is quite interesting in term of how diagrams can generate architecture. It is not just a coincidence that he studied at aa.

 
At Monday, July 30, 2007 10:49:00 AM, Blogger progressivereactionary said...

good pick! i've visited this project in ljubljana - sadar vuga is producing some really great buildings throughout slovenia. there's quite a burgeoning architecture culture over there right now... an exciting moment.

 

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Saturday, July 28, 2007

Richard Desmond Children's Eye Centre of Moorfields Eye Hospital in Islington, London by Penoyre & Prasad.

To contribute your Flickr images for consideration, just:

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:: Tag your photos archidose

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3 Comments:

At Saturday, July 28, 2007 8:45:00 PM, Anonymous iaakuza said...

It looks very cool... let me check it in the website...

 
At Tuesday, July 31, 2007 5:11:00 PM, Blogger franki durbin said...

oh how very fun. I love the idea of a children's eye center being visually interesting from both inside and the exterior. very interesting photo.

 
At Thursday, August 02, 2007 1:27:00 PM, Anonymous Diego del Castillo said...

Very interesting play of pieces. What amazes me is how a non-expensive solution to shade, has created a beautiful play on the facade...

 

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Friday, July 27, 2007

The New Museum has announced that it will be opening its new SANAA-designed home on the Bowery on Saturday, December 1, 2007. The opening coincides with the museum's 30th anniversary and will be celebrated with 30 hours of continuous free admission to the museum, starting on the first.

new-opening.jpg

In a July 26 press release (PDF link), it was also announced that the inaugural exhibition will be Unmonumental, "an international group show that proposes a dynamic, new exhibition model by beginning with a major sculpture exhibition then adding layers of collage, sound, and new media."

1 Comments:

At Sunday, July 29, 2007 9:13:00 PM, Anonymous Andrew said...

Calendar marked. Building as a scaleless stack of blocks. Without the silhouetted seated figure on the facade, I'd have thought this building far taller. It will be very interesting to see how the lack of scale cues plays out in reality.

 

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Wednesday, July 25, 2007

Last night I watched Wide Angle, "the only program exclusively dedicated to international current affairs documentaries," after flipping to PBS and seeing images of what looked like a documentary on Dubai. But The Sand Castle episode, in turns out, focuses on Ras-al-Khaimah, Dubai's sister-state in the United Arab Emirates, though really it's about Norwegian architecture office Snøhetta's experience in the desert.

sand-castle.jpg

Those keeping up with architectural and urban developments in Persian Gulf probably know that OMA is working on the masterplan for Ras-al-Khaimah, aka RAK Gateway, so the end of the first part of the documentary, in which the Norwegians are pitted against the Dutchman Koolhaas to determine who will work on the masterplan commission, won't come as a surprise. And neither will Snøhetta's design for the new town's mixed-use exhibition/convention/hotel project be a shock. In the case of this show, it's all about the ride.

We see the creative process, such as a member of Snøhetta playing with sand during a visit to the location of the future city (above). We see trips from UAE to Norway and back again as the architects generate a design much different than OMA's dense square. We see the client tell Snøhetta the bad news and invite them to design the mixed-use project. We see the client's dislike of their first scheme. We see Snøhetta redesign and redesign. And so forth. It's a fascinating glimpse into architecture and its creation, something I was surprised to see on television, something my wife thought paints architects in a good light, unlike other things.

1 Comments:

At Friday, July 27, 2007 1:56:00 PM, Anonymous Anonymous said...

It may just be me, but the lead architect reminds me of Ricky Gervais, the boss in the BBC version of the office.

 

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Tuesday, July 24, 2007


, originally uploaded by tiagotchi.

The Forum 2004 Esplanade and Photovoltaic Plant in Barcelona, Spain by Lapeña & Torres.

To contribute your Flickr images for consideration, just:

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:: Tag your photos archidose

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5 Comments:

At Tuesday, July 24, 2007 8:42:00 PM, Anonymous Anonymous said...

whoah, very similar
http://www.architectureaustralia.com/aa/aaissue.php?issueid=199809&article=4&typeon=2

 
At Tuesday, July 24, 2007 10:52:00 PM, Blogger John said...

As is this.

 
At Wednesday, July 25, 2007 3:50:00 PM, Anonymous Anonymous said...

Whole area is quite interesting... but it is a "dead zone" most of the time, because there is no real traffic going through and there is nothing but design and architecture when no fair or festival isn't taking place.

If you visit Barcelona, it is a must-see, though local people hate it mostly because of tons of money were wasted ther and it doesn't really work.

(not only) for those dissapointed by the place, there is a nicely designed concrete "beach" just down to the right side from the picture, it is the cleanest and least crowded beach in the city ;-)

 
At Thursday, July 26, 2007 8:49:00 AM, Anonymous Sustainable Sam said...

Hi,

Those who are interested and involved in architecture, construction and planning will probably be interested in i-Think. i-Think.com is a brand new professional networking site for the property, architecture and construction sectors. i-Think is the online community for professionals in the built environment and the only industry network dedicated to stimulating debate on sustainability & regeneration, sharing information and showcasing products and services.

i-Think is free to join and use. Go to www.i-think.com to sign up and get involved.

 
At Tuesday, July 31, 2007 5:16:00 PM, Blogger franki durbin said...

what a glorious image. the sky, the metal, really interesting angle for the photo. interesting perspective.

 

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Monday, July 23, 2007

My weekly page update:
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House of Sweden in Washington, District of Columbia by Gert Wingårdh.

The updated book feature is A Theory of Architecture, by Nikos A. Salingaros.

Some unrelated links for your enjoyment:
Super Colossal
Marcus, aka Gravestmor's latest undertaking, a kind of Practice-Portfolio-Blog-Machine-Thing that will supercede Gravestmor. (added to sidebar under blogs::architecture)

24gotham
In other change-of-blog news, Devyn (aka Looper) moves to New York City, and with it a new photoblog. (added to sidebar under architectural links::new york city)

dysturb.net
A blog on the "shared mindscape on the visual, spatial & urban culture of the dutch architecture scene." (added to sidebar under blogs::architecture)

Architecture-Page
"An online design resource, featuring architecture and product design from the world over." (added to sidebar under architectural links::online journals)

1 Comments:

At Monday, July 23, 2007 12:43:00 PM, Blogger KLuciano said...

I just watched a great interview with the famous architect, Daniel Libeskind, who is the master designer behind the Ground Zero project and the Jewish Museum in Berlin. I hope you find it at interesting as I did!

http://vineyard.plumtv.com/videos/daniel_libeskind

 

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Saturday, July 21, 2007

Stumbling around the Architectural Record mega-site earlier today, I came across Off the Record, "the brand-new blog written by the staff of Architectural Record...where the magazine’s team of experienced, award-winning editors offer their insightful, informal, opinionated takes on architecture-related trends, conferences, exhibitions, projects and personalities."

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Record is not the first architectural print magazine to venture into the realm of blogs. Architect Magazine has a few; Building Design has a bunch; Dwell has its daily. Regardless, there's something about Record's venture that seems to legitimize the efforts of other architectural blogs, or at least it further breaks down the boundary between the content of print magazines versus online blogs and vice versa. But with the ever expanding print and online content of magazines like Record, it's becoming a bit overwhelming; so many words, so little time.

3 Comments:

At Tuesday, July 24, 2007 3:50:00 PM, Anonymous Anonymous said...

"it's becoming a bit overwhelming; so many words, so little time."

This is an interesting point, John.

To veer off topic a moment, you bring some thought provoking questions. Will the blogosphere become more like a stock ticker tape of information or will there be a sustained archive & memory of these sites? I've noticed that it is difficult to find archive posts on some blogs.

Also, the lifespan of a blog is very fickle. If bloggers don't keep up w/ frequent posts, it is unlikely that they will get noticed or matter to the outside world (however therapeutic it may be).

Blogs seem to seep into that gray area of subjectivity vs. objectivity. Giving room for venting and personal discovery, but also persuading and informing. It is autobiography, editorial, and objective journalism in one.

Also, will we see the institutionalization of blogs? Multitudes of nomadic idealogues, factionary and fractionary. Will it break the two party system?

The future and power of the blog is one that is interesting to ponder...

 
At Saturday, July 28, 2007 1:36:00 AM, Blogger Norman Blogster said...

Blogging is the Long Tail of the press (see Chris Anderson's book). What's needed now is a tool to curate it all so you can easily find what you want through the dross.

 
At Saturday, July 28, 2007 1:47:00 PM, Blogger John said...

anon - I'm struggling to find a way to make archive posts easier to find, or to cycle through. Partly my problem is having a template that doesn't accept Blogger's new features, and partly I'm not really into tagging the hell out of things, the most popular way of archiving these days. I guess tagging is Web 2.0 in action.

Nevertheless, while writing the post I started to think along the lines of Mr. Blogster's comment, that a tool to filter the good from the bad might be necessary as so much data is produced continuously, even including this comment, for example. Who's to say that words are only of value when they're printed or edited? It's not something I'm prepared to deal with now, but it is also definitely something to ponder...

 

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Friday, July 20, 2007


Jyväskylä, originally uploaded by jmtp.

A building at the University of Jyväskylä (formerly Pedagogical Institute) in Jyväskylä, Finland by Alvar Aalto (1952-56).

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
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1 Comments:

At Saturday, July 21, 2007 10:53:00 AM, Anonymous iaakuza said...

Beutiful the picture!!! Beutiful the building!!!

 

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Thursday, July 19, 2007

This is too good not to pass along. Archinecter o d b posts this news bit:
"MVRDV selected as architects for Boijmans van Beuningen in Rotterdam with design resembling a piece of furniture [LACK series] commonly found in Ikea stores."

LACK1.jpg

Gotta say, I wholeheartedly agree.

LACK2.jpg

This MVRDV misstep reminds me of another one by a fellow Dutch office.

7 Comments:

At Thursday, July 19, 2007 1:34:00 PM, Blogger jimmy said...

Wow. That's terrible.

As far as missteps go, I'm still trying to convince myself that Lacaton Vassal's Documenta 12 Pavilion, "The Crystal Palace," is more than just a poorly conceived atrocity.

 
At Thursday, July 19, 2007 4:11:00 PM, Anonymous Anonymous said...

If anybody remembers this is the firm that designed the Pavilion for Holland at EXPO 2000 in Hannover, Germany. I had a chance to visit the Pavilion while in Hannover. If you are not aware of it, you just might want to visit their website. Though the EXPO is long over, their building sits on the grounds.

 
At Thursday, July 19, 2007 5:24:00 PM, Blogger Bradley said...

John,

Will it cost $19.99 and come in 5 pieces with a nifty little die-cut wrench? That would be classic.

Bradley Swarts
editor, ecAr

 
At Thursday, July 19, 2007 8:19:00 PM, Blogger marten said...

being a dutchy (plus capable od reading german), have to say that actually it does make some sense... underneath is a park (once designed by koolhaas, currently being renovated, at the other end the kunsthal is situated) and by covering it it creates a window and a frame for both the park and the kunsthal.

that, plus it's high up in the air because of global warming (that's their excuse...)

anyway, it could also have looked like this...
http://www.demakersvan.com/uploads/projecten/N08252-15-lr-1.jpg

 
At Friday, July 20, 2007 8:08:00 AM, Blogger John said...

jimmy - I couldn't find the building design on that site. D'ya have any images of the L+V project?

Brad - No, it won't have a wrench as the legs screw directly into the top...I know I've got a couple!

marten - Thanks for the explanation; I probably should have the taken the time to do a rough translation to see what it said. Given their general idea, there's numerous ways they could have accomplished the design (think of Alsop's OCAD), though gladly not along the lines of the image you linked to.

 
At Saturday, July 21, 2007 10:50:00 AM, Anonymous iaakuza said...

I think it is quite banal. Or maybe they want to explain that multiscalarity is possible: from the table to the buiding!

 
At Wednesday, July 25, 2007 8:43:00 AM, Anonymous seier+seier said...

this is a very funny comparison, yet like marten, I feel the need to defend MVRDV. in their research and built work, they offer something extremely rare today: consistency.

in an age where most offices change design philosophy every few years, degrading archicture to mere fashion - http://archidose.blogspot.com/2007/07/half-dose-34-panoramic-garden-of-ccis.html - MVRDV keeps developing the same themes project after project.

and one of their themes is that of a flat building raised on columns or on top of towers...and while they may not yet have proved to us what they can achieve with this particular move, surely it is not an unfamiliar design strategy to modern architects - rather than looking to IKEA, I suggest this as the original source of inspiration: http://www.flickr.com/photos/eaxio/162004000/

 

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Delugan Meissl Associated Architects is a Vienna-based office with a penchant for glass and folding planes, both used as a way to merge their designs with their contexts. The penthouse addition House Ray 1 is a good example, though recent projects have increased the scale of their designs to, for example, whole apartment towers. Images of their office show a space in a building, that while it won't be mistaken for one of their own projects, seems to embody their embrace of glass and its inherent transparency, particularly evident in the night view.

FF002.jpg

The photos of the straightforward interior space show a reliance on the computer, though by clicking the image above one can see additional shots, including the model area. The terrace photo is the most telling, as it shows the relatively small office size, the potential of this outdoor amenity (as a social or break space, most likely), and what appears to me to be a rather even-keeled group, distributed evenly along the railing.

Be sure to check out the firm's alphabet, with humorous (Bricks: Have never been used) and thoughtful ( Light: As much as possible; it’s always easy to close something but often difficult to open something) descriptions of their philosophy.

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2 Comments:

At Thursday, July 19, 2007 10:55:00 AM, Blogger brandon said...

what's disappointing to me is that there are no actual drafting tables in offices.....shame. architects draw without drawing and i think it is reflected in a lot of firms work. a reliance on a program to do the figuring shows in the (lack of understanding of) detailing and its relation to the concept as a whole.

love the new series though Hilltown.

 
At Thursday, July 19, 2007 1:01:00 PM, Blogger John said...

Thanks, BP. It should be interesting to see all the various office environments and personalities. And with my job search I'm seeing a lot of them out there.

I sympathize with the apparent lack of drawing going on, though those CPUs look small enough that one could draw on the side, if you will, though without the gear for hardline drawings. For me, drawing brings to mind sketching rather than drafting, something that can be accomplished without a slanty desk. That's just me, though.

 

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Wednesday, July 18, 2007

A couple things that might be of interest:

1. The Buckminster Fuller Challenge

BFchallenge.jpg
"On the occasion of the 112th birthday of one of the 20th century's most prescient futurists and global thinkers, The Buckminster Fuller Institute (BFI) announces the launch of the first annual BUCKMINSTER FULLER CHALLENGE.

Established to catalyze the vanguard of a global design revolution, the Challenge will award a single $100,000 prize annually to support the development and implementation of a solution with significant potential to solve the world's most pressing problems in the shortest possible time while enhancing the Earth's ecological integrity.

Entries will be accepted beginning September 4th, 2007."
2. Dwell on Design San Francisco 2007

DOD.jpg
"Dwell presents Dwell on Design San Francisco 2007
September 14–September 16

The Dwell on Design Conference and Exhibition is an idea-driven, hands-on experience designed to ignite a creative spark within anyone who is passionate about modern design, sustainability, and smart growth.

Dwell on Design connects you with a community of thought leaders who will offer bold ideas, interesting materials, and new products designed to inspire you to express the beauty, simplicity, and sustainability of your living space.

Come to Dwell on Design San Francisco and join this network of product designers, innovators in green building practices, entrepreneurs in energy efficiency, artists, photographers, architects, landscape designers, Web designers, parents, teachers, and neighbors who are changing the way we live in the modern world.

Join the conversation."

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The cover story of yesterday's free rag AM New York was about a "McMansion" under construction in the historic Broadway-Flushing/Murray Hill neighborhood of Queens. The short article pitted neighbors versus John Hsu, whose "dream house" is in the midst of construction, with photos accompanying the article showing a two-story, concrete frame next to its traditional neighbors. Correct me if I'm wrong, but I always thought McMansions were more like this than what the article is portraying.

mcmodern1.jpg

This looseness with wording makes me wonder just what is being attacked and why. Hsu's house appears to be within the scale of his neighbors, though his house looks to be closer to the sidewalk, making it appear bigger. So is this more an attack on a "McModern" design than a McMansion? Perhaps this is an attack on the general idea of non-contextual architecture, as the article indicates that preservationists are pushing for the neighborhood to gain landmark status, something that would severely restrict what people could build.

mcmodern2.jpg

The article further mentions that Hsu's plans were approved by the Department of Buildings, so his house will most likely be completed as planned. I'm curious to see what the final design entails, but it is nowhere to be found or seen in the article, and this omission also makes me wonder if the neighbors are more upset by the Modernist idiom of the concrete frame than what will eventually cover it.

9 Comments:

At Wednesday, July 18, 2007 3:20:00 PM, Blogger Tainted Dragon said...

John, I agree with you. I don't believe the problem here has to do with McMansions at all. I believe the residents are upset over whether or not this fits within the context of the neighborhood. Judging by it's concrete pour, this home will probably look nothing like the one next door.

I've always thought of McMansions existing beyond the city limits. It has always appeared to me, the homes were built bigger to fit with the bigger lot that the suburbs provide... or... well, that was the argument for them. [ie, Barrington, IL referenced in a postscript by Robert McAnulty's America the Beautiful (Included with Suburban Maul, a book by Rick Valicenti).

 
At Wednesday, July 18, 2007 4:32:00 PM, Blogger Michelle Linden said...

Personally, I have always thought of McMansions as the overly large cookie cutter mansions often found in under developed suburbs. I thought that the 'Mc' in McMansion referred to the assembly line features of the structure, while the 'Mansion' obviously refers to the size. If my assumptions are correct, it would seem that McMansion building is often the type we see in a development where all the houses use the same kit or assemblage of parts (nearly identical, but not quite) to fill their overly large properties.

This is clearly a much different problem than above... This house is not a McMansion - it appears to be using a language and assembly completely different than what is found nearby.

The word McMansion is generally considered a degrading term and in this case it seems as if the writers are using our prejudices against McMansions to influence readers into believing that new=bad. Its actually quite unfortunate.

 
At Wednesday, July 18, 2007 5:42:00 PM, Anonymous Anonymous said...

Look at the rediculous pediment and columns on the house next to it, why don't they complain about that? It's not like it's any amazing example of architecture.

 
At Thursday, July 19, 2007 12:35:00 AM, Blogger Joe said...

I design custom homes for a living at the moment, and I can appreciate neighbours' concerns over context. Having said that, my personal opinion is that this is just a simple choice of aesthetics. Who am I to say that a modern-looking house is better or worse than a revivalist house of some sort? No one has the authority to dictate aesthetics when it comes to residential design in a bland, homogeneous fabric.

I say if you choose live in the monotony of a zone-to-shit residential "neighbourhood" where sensible living arrangements go to die, maybe you should stop fooling yourself into thinking that you have better architectural sensibilities just because you're choosing to go modern. Both houses in that picture are ridiculous, the only different being that the concrete frame will last a little longer.

I could be wrong though, since judging by the last name of the owner, it could very well be that he's accustomed to living in concrete houses all his life in Asia, and wishes to continue that in North America. In which case there really is no difference in mentality.

 
At Thursday, July 19, 2007 9:33:00 AM, Blogger John said...

Yes, this situation boils down to arguments over aesthetics, though I agree with Michelle that the paper is using the negative connotations of the term McMansion in the favor of the neighbors. It might also be the case that terminology is lacking for this sort of situation, and the writer is falling back on what's common in today's mass-media parlance.

These notions of aesthetics aren't enough to stop this house from being completed (though Hsu might have quite a difficult time living there if the tide never changes), but this won't be the case in the future if the area becomes a historical district. Speaking of historical districts, while I'm not familiar with how it works in NYC yet, I could swear that this house is in the Greenwich district (PDF link), though it looks like it might be just off the edge of the map.

 
At Thursday, July 19, 2007 9:35:00 AM, Blogger John said...

Didn't finish that last thought...

If that town house can be built in the Village (big IF, as I'm not certain if it's in the landmark district or not), then can something like what's being done in Queens be done similarly if it were landmarked, with a few changes but the same overall character?

 
At Wednesday, August 29, 2007 9:52:00 PM, Anonymous Anonymous said...

I love McMansions. I live in a alrge split level mcmansion and it's very roomy and has an enormous backyard with a pool. It has 4 bedrooms an office/guest bedroom three bathrooms, a finished basement, and a large ceiling for the entrance. So why are people complaining?

 
At Tuesday, September 11, 2007 7:37:00 PM, Anonymous Anonymous said...

The sad fact is that its the young vs the old. The young is paying substantially more for the property (Mr. Hsu) while the old wants to keep "charm" in the neighborhood. I live in Austin, and face the same issue on McModern. We as the young, need to speak up and in favor of our property rights now- or we will be forced to compy with homogenized charm of the 50s. Yuck!

 
At Wednesday, September 19, 2007 11:15:00 AM, Anonymous Anonymous said...

Modernism, when done well, is beautiful. Ticky-tacky ersatz Colonial or Victorian, however, is an all-too common eyesore, popular among the rich and cowardly or tasteless. People tend to associate McMansions with cookie-cutter ersatz traditional aesthetics for good reason: the associations are true.

The postmodern political posturing that deems aesthetics the handmaiden of anti-progressive politics doesn't even apply here; certainly, the lot of the poor isn't in any way improved because McMansions and the postmodern shopping centers that spring up around them are pedestrian yet hideous.

There is a special contempt in my heart for those who would buy beautiful Modernist houses only to tear them down to make way for yet another ticky-tacky, look-alike, taste-alike McMansion. I refer you to this article in Time magazine:

http://www.time.com/time/magazine/article/0,9171,1638456,00.html

One can't get find a more apt symbol of homogeneity and conformity than the Ticky-Tacky McMansion. I dearly miss Modernism, and long to see Modernism revived. (More affordable housing for the poor would be nice, too.)

 

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Tuesday, July 17, 2007


Akron Art Museum - Coop Himmelblau, originally uploaded by wizum.

The just-opened John S. & James L. Knight Building at the Akron Art Museum in Akron, Ohio by Coop Himmelb(l)au. See wizum's Flickr set on the addition here.

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3 Comments:

At Tuesday, July 17, 2007 11:54:00 PM, Blogger Wizum said...

Glad you like the image... We drove 16 hours Sunday just to visit this sucker (from Cincinnati to Akron and then back home to Atlanta), and it was well worth it.

There is also a great thread showing some construction shots and discussion of the design, as well as some of the other shots I took over on Pushpullbar.com Here is the link:

http://www.pushpullbar.com/forums//showthread.php?t=662

 
At Wednesday, July 18, 2007 12:03:00 PM, Blogger John said...

Where'd you take this shot from? It looks like you'd have to be in another building across the street...or in a cherry picker!

 
At Thursday, July 19, 2007 2:52:00 PM, Anonymous Christopher Hixson said...

John, it appears Wizum took the shot from the roof of the parking deck across from the new museum. Ourroussoff in the NYTimes called the parking deck ugly - but it's not so bad and regardless, it serves the terrific purpose of allowing visitors to the new Akron Art Museum to view the building from four different height perspectives directly across the street! Everyone come on over to Akron!

 

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Near the end of a 2004 Charlie Rose interview with Charlie Kaufman (of Being John Malkovich and Eternal Sunshine of the Spotless Mind fame), the screenwriter admits that he really wanted to be a director, that writing was a way of getting into directing. Well, now that dream is a reality. Originally to be directed by Malkovich director Spike Jonze -- who opted to direct the David Eggers adaption of Maurice Sendak's Where the Wild Things Are -- Synecdoche, New York is Kaufman's directorial debut, now filming in New York.

According to Manhattan User's Guide (MUG), where I just found out about this film and which points to what I find so fascinating about it, "a stage director ... ambitiously attempts to put on a play by creating a life-size replica of New York inside a warehouse," something the movie poster tries to illustrate:

synecdoche.jpg
Image from Wikipedia

Being a fan of Kaufman's films, I'm afraid to speculate on the possibilities of this idea, as I know they'll probably pale in comparison to the final product. But the circumstances of Kaufman directing make the final product less assured than if it were helmed by Jonze or Michel Gondry, another longtime collaborator. At the same time, with direction coming directly from the mind of the film's progenitor, it might just be that much more wondrous, sublime, moving, astounding, and scary, to borrow the descriptors of the LA Times writer fawning last year over a draft of the screenplay.

The film's title gives an apparent hint into the device of the life-size replica of NYC, as synecdoche -- aside from it being a phonetic play on the town of Schenectady, where some of the film takes place -- is defined as "a figure of speech by which a part is put for the whole (as fifty sail for fifty ships), the whole for a part (as society for high society) [...]" Obscure and esoteric to say the least, it seems that the relationship between the part and the whole is at play in the stage director's desire to replicate New York City, however exactly that occurs. What it means will have to wait until the film's released, though I have a feeling that even at that time things won't be entirely clear.

1 Comments:

At Tuesday, July 17, 2007 11:52:00 AM, Blogger Brendan said...

Oh, this is exciting. I have very high hopes. The world needs more Kaufman. As much as it can get.