Friday, July 31, 2009

Half Dose #65: Villa in Pedralbes

Just came across this wackiness by Foreign Office Architects, their Villa in Pedralbes, Barcelona, Spain, completed last year. The architects describe the house as a response to the steeply sloping site, its three floors merging with the landscape at each level.

FOAvilla1.jpg
[Villa in Pedralbes, Barcelona, Spain by Foreign Office Architects | image source]

Basically the house opens itself at the front and the back of the house, allowing for cross-ventilation, light and views in those two directions. The house closes itself off to its neighbors on either side.

FOAvilla2.jpg
[Villa in Pedralbes, Barcelona, Spain by Foreign Office Architects | image source]

Of course, addressing the topography, light and vent, views, and the neighboring buildings could have occurred in many different ways. The architects went with what they're known for: continuous surfaces that warp, wrap and blend with their surroundings. The influence of the Yokohama Ferry Terminal is evident, especially in the shape of the glazed openings and the handrails, a necessary feature that nevertheless appears to be an afterthought.

FOAvilla3.jpg
[Villa in Pedralbes, Barcelona, Spain by Foreign Office Architects | image source]

Like other FOA designs, this one is striking, but it reminds me of what I don't like about their designs, namely a certain clumsiness in the forms, a lack of elegance when they venture into topographical designs. Projects like the Spanish Pavilion at Expo 2005 or the folding facades of Carabanchel Housing, which exploit the potential of the orthogonal, are better results than this house or even parts of the Ferry Terminal. Maybe FOA thrives on restrictions, so when they're given free reign their designs scream for somebody or something to keep them in line.

Thursday, July 30, 2009

Today's archidose #338

Here are some photos of Capella Singapore in Singapore, Singapore (2003-2009) by Foster + Partners, photographed by parameters75.

Capella-1

Capella-2

Capella-5

Capella-6

Capella-7

Capella-8

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
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Tuesday, July 28, 2009

Central Hub

If it works in Quito:

manair1.jpg
[Mariscal Sucre International Airport in Quito, Ecuador | image source]

Then why not in Manhattan?:

manair2.jpg
[Proposed Manhattan Airport by The Manhattan Airport Foundation | image source]

Oh wait, Mariscal doesn't work, which is why a new airport is being built 20km (12.4 miles) east of its current location, set to open in 2010. Nevertheless The Manhattan Airport Foundation is proposing the transformation of Central Park into an airport, a "viable and centrally-located international air transportation hub in New York City for the benefit of all New Yorkers."

Obviously this isn't a serious proposal, but the web page is presented in such a way -- particularly its assured and persuasive language -- that the project seems to mock proposals of this type, large (infrastructure) projects that purport to help people but have detrimental effects that offset the apparent benefits. Here the downsides are particularly obvious, with noise, fumes, heat, aircraft clearances, and the appearance of an airport in the middle of Manhattan being at the top of the list.

The answer to the FAQ, "I own an apartment alongside Central Park. What will Manhattan Airport do to my property value?" reveals the dry satire in the proposal, many notches down from The Onion. Statements that "these types of transformative public works projects have created an influx of interest and new investment in the neighborhoods in which they have been built" and that the area would "experience the economic 'trickle-down' effect these types of large scale redevelopment projects have precipitated time and time again" are clearly false, though they sound awfully persuasive here.

I'm not sure who's behind this fake proposal, or if it's worth the time and effort in creating the text and images, but I'm almost certain the combination of skilled writing, crude 3d images and professional-looking web page will fool many people in thinking the proposal is genuine.

(via Curbed)

Monday, July 27, 2009

A 35-year-old with vision and energy needed

The Chicago Tribune reports that Prairie Avenue Bookshop, "the best architectural bookshop in the world," may be closing its doors on the first of September if owners Wilbert and Marilyn Hasbrouck do not find a buyer. My friend Brandon tipped me off to this a few weeks ago, but I didn't want to believe it then, and it's hard to believe now. Even with Amazon.com's discounts I thought of Prairie Avenue as a mainstay, due to its deep catalog, used books and rare titles, items harder to come by and appreciate online. The Trib points out the 10.25% sales tax, "people [who] would come to the bookshop with their notepad, make notes of what they wanted and then go buy it somewhere else," and $650,000 in two lines of credit. Depressing, to say the least.

pabooks_RIP.jpg
[Outside Praire Avenue Bookshop at 418 S. Wabash | image source]

So if a new owner is found, one who is able to keep Prairie Avenue on its feet, how would that happen? By diversifying the selection, in effect moving it away from truly being a bookshop? From increasing its web presence, Wilbert's recommendation? Who knows, but this news does not bode well for other specialty bookstores, architecture or not. The writing on the wall is clear that books are a dying tool, pushed out by new technologies and a consumer base swept away by them. The death of bookstores is just one step in that unfortunate but eventual process.

Monday, Monday

My weekly page update:
image01sm.jpg
Southbrook Vineyards in Niagara-on-the-Lake, Ontario, Canada by Diamond+Schmitt Architects.

This week's book review is The Language of Things: Understanding the World of Desirable Objects by Deyan Sudjic.

Some unrelated links for your enjoyment:
Sincerely Sustainable
"Finding true sustainability in the marketplace." (added to sidebar under blogs::sustainability)

SustainableCoin
"The official blog of the Local AEC Network, a professional networking group focused on the fields of Architecture, Engineering & Construction." (added to sidebar under blogs::sustainability)

Design-Build Network
"An online portal and comprehensive industry resource [for] building business in architecture and construction." (added to sidebar under architectural links::professional)

design:related
"A community site and inspiration tool that brings together creative people from different disciplines (and parts) of the design world." The main page features feeds from various architecture, design and related blogs. (added to sidebar under blogs::aggregate)

KieranTimberlake ISO
Blog of the Philadelphia-based firm KieranTimberlake. (added to sidebar under blogs::offices)

Sunday, July 26, 2009

Today's archidose #337


_TechL_48, originally uploaded by vtr do.

National Technical Library in Prague, Czech Republic by Projektil Architekti and Helika, 2009. The building officially opens to the public in the fall. Check out vtr do's flickr set from a recent site visit for many more photos of the building inside and out.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose

Saturday, July 25, 2009

Firm Faces #10: in situ DESIGN

Denver, Colorado's in situ DESIGN, featured on my weekly page back in 2006, use their studio space as the means for presenting each aspect of the firm, its projects, its awards, its press, and its people. All but the last are shown in windows overlaying the studio background, but the profiles of the individuals are revealed via a cartoonish interaction with each person at their desk.

FF010.gif

Unlike many "firm faces" which break people out of their space and routine for a group shot, in situ DESIGN's technique melds the studio and its individuals. It's an appealing way (minus the somewhat annoying but necessary scroll) of giving outsiders a view of where the work unfolds and who contributes to it.

Friday, July 24, 2009

Today's archidose #336


, originally uploaded by AndrewRudolph.

Cube Tower in Guadalajara, Mexico by Estudio Carme Pinós, 2005. See the floor plan here.

To contribute your Flickr images for consideration, just:

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:: Tag your photos archidose

Thursday, July 23, 2009

Glass Box Trends

With today's announcement of MahaNakhon, a 77-story tower in Bangkok designed by OMA partner Ole Scheeren, the internet will be awash in images of the pixelated glass tower. The design departs from a fairly typical glass box, eroding, carving and shifting the Modernist ideal into something iconic yet precarious. It is immediately reminiscent of Herzog & de Meuron's design for 56 Leonard in Manhattan, found on the cover of eVolo's first issue.

oma-hdm1.jpg
[L: MahaNakhon by OMA | R: 56 Leonard by Herzog & de Meuron]

Each design has the same starting point -- the Modernist glass box -- but each design modifies it in different ways. Herzog & de Meuron shift the stacked floors to create terraces and overhangs, what they call "houses stacked in the sky." The base and top leave no traces of the platonic origins, but the middle section's regularity hints at the design's precursors. Likewise the MahaNakhon tower starts with the regular but modifies it to create areas with terraces and overhangs. These areas wrap the building in a spiral manner, in effect creating a supergraphic on the skyline. Compared to 56 Leonard it is more pleasing at that scale, even though it brings to mind erosion and destruction. But at the scale of about ten floors the two projects look like twins:

oma-hdm2.jpg
[L: MahaNakhon by OMA | R: 56 Leonard by Herzog & de Meuron]

So do these two designs by two of the most popular and prolific firms in the world today signal a trend? Is this the end of torqued, möbius and pickle towers? Will architects have a brief fling with shifting glass boxes before they move onto to the next high-rise transformation? I think the expense of these designs (more facade area as well as additional insulation and weatherproofing required on the terraces and soffits) makes them suitable only for super-rich condos and therefore short-lived. Additionally the formalism of these two designs -- messy in NYC and a one-liner in Bangkok -- points to a short shelf life for this trend.

eVolo Launches

On Tuesday, July 28 at 7pm the Storefront for Art and Architecture will host a launch party with Editor-in-Chief Carlo Aiello for the first issue of eVolo, a twice-yearly architecture and design journal "focused on technology advances, sustainability and innovative design for the 21st century."

evolo1.jpg

Some spreads from the first issue:

evolo2.jpg

Some more information from the Storefront page:
It is with great pleasure that we introduce you to the premier issue of eVolo. This architecture and design journal was initially conceived in 2004 by a group of graduate students at Columbia University in New York City. Following graduate school, inspired and idealistic, many of us felt the need to reach further and look more closely at ourselves and our specific strengths to figure out what we could uniquely contribute to the field of architecture. Unfortunately entering the work force revealed a scary truth; the world of architecture is a tough place, making little room to accommodate all the unique contributions that so many brilliant young architects were so eager to make. This, specifically, is the inspiration for eVolo; to provide a forum for showcasing the most innovative, the most avant-garde designs that will define architecture in the twenty-first century.

So I introduce to you, eVolo, a work in progress with a clear mission, but no other rules. We have in mind a desire to examine the relationship between architecture and the natural world, architecture and the community, architecture and urban living; but this is an open investigation, welcoming all questions with a willingness to entertain any and all possible answers.

The Ultimate Frank Lloyd Wright Weekend in Buffalo

Buffalo, New York is home to a few Frank Lloyd Wright buildings, most notably his Darwin D. Martin House. This complex is now home to a recent Visitor's Center by Toshiko Mori, a glass pavilion that "will serve as an orientation point for those arriving to the campus and will include flexible exhibition space, permanent galleries and visitor amenities."

buffalo1.jpg
[Eleanor and Wilson Greatbatch Pavilion by Toshiko Mori | image source]

To get architourists and other to upstate New York, the Buffalo Niagara Convention & Visitors Bureau is holding a contest, the Ultimate Frank Lloyd Wright Weekend in Buffalo. The entry deadline is July 31. Good luck!

buffalo.jpg

Here's the winning details:

Wednesday, July 22, 2009

AE16: Imitation Wood Grain Panels

When I hear the phrase "imitation wood grain panels" I immediately think of station wagons from the 1970s, particularly my family's Ford Pinto wagon, similar to the one below. The phrase connotes that time period, when plastic started to replace just about every other material, yet people still grasped for the look of "real" materials. And nothing says class like wood panels on the side of a car.

AE016a.jpg
[1977 Ford Pinto station wagon | image source]

The use of wood in architecture is typically of two broad categories: solid and veneer. The former is prevalent where trees are, such as Scandinavia and countries in tropical climates. The latter requires industrial processes and is used for flooring and other applications in the United States and elsewhere. One big difference between these two is that veneer is focused solely on the surface and its appearance, since the ultra-thin wood ply is adhered to a plywood, MDF or other base. Veneer exudes the warmth of wood without the depth, cost and durability of solid woods.

AE016b.jpg
[House of Sweden by Gert Wingårdh | photo by archidose]

A third variation, one in tune with the focus on surface of veneer, is imitation wood grain panels, used primarily for façades and usually in combination with other materials. The House of Sweden in Washington, D.C. by Gert Wingårdh and Tomas Hansen, completed in 2006, incorporates a number of materials on its exterior, including blond wood. But it also uses a laminated glass printed with a wood grain pattern:

AE016c.jpg
[House of Sweden by Gert Wingårdh | photo by archidose]

This pattern (the middle horizontal bands in the top photo) reads as more of a wood caricature than the actual blond wood band (bottom band in same photo), with the former's strong grain contrast. The difference between the vertical face and the soffit in the photo above also illustrates this effect.

AE016d.jpg
[Hudson Hill Condominium by FXFOWLE | photo by archidose]

It's been a couple years since seeing the House of Sweden in person, and I don't think I've seen a similar façade of wood panels since, until coming across FXFOWLE's Hudson Hill Condominium last week. From a distance (above) the façade looks like it is composed of aluminum panels powder-coated a brick or terra-cotta color. A closer look reveals a variation in color:

AE016e.jpg
[Hudson Hill Condominium by FXFOWLE | photo by archidose]

And an even closer look reveals a wood grain:

AE016f.jpg
[Hudson Hill Condominium by FXFOWLE | photo by archidose]

Looking at both the architect's and the building's websites, the exterior skin is described respectively as a "wood-paneled façade" and "a warm natural dark wood appearance." The first says, "this wood is real" while the second says the opposite. The condo web page reveals that the material is Trespa, most likely the Meteon panels, a rainscreen which "consists of thermosetting resins, homogeneously reinforced with up to 70% wood based fibers." These panels utilize wood in their make-up, but the aesthetic affect is completely artificial, given that metallics, "naturals" and plain colors are also available. It's like Pinto in building form, though more appealing in appearance.

Tuesday, July 21, 2009

Today's archidose #335

Here are a few photos of The Town School Theater in New York City by Yoshihara McKee Architects, photographed by MarcelloLPacheco.

The Town School

The Town School

The Town School

The Town School

To contribute your Flickr images for consideration, just:

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Monday, July 20, 2009

Monday, Monday

My weekly page update:
image01sm.jpg
The Botwin Building in Kansas City, Missouri by el dorado architects.

This week's book review is Frank Lloyd Wright: From Within Outward by Richard Cleary and Frank Lloyd Wright: Essential Texts edited by Robert Twombly.

Some unrelated links for your enjoyment:
Survey: Who is the most over-rated Architect?
Archi-Ninja is wondering "who is the most over-rated architect? and which architect deserves more recognition?"

Architonic / Dailytonic
"The Independent Source for Products, Materials and Concepts" and its daily blog. (added to sidebar under architectural links::design and blogs::design+technology)

Architects Directory 2009
The latest list from Wallpaper* asked "30 emerging practices to create their ideal model home."

Architecture for the Pedestrian
A new blog that explores "the role Architecture/Design plays in shaping experiences and translate the archi-speak into more 'pedestrian-friendly' (and fun) language." (added to sidebar under blogs::architecture)

Smarter Cities
"Smarter Cities, a project of the Natural Resources Defense Council (NRDC)...is a multimedia web initiative whose mission is to foster a little friendly competition as well as provide a forum for exploring the progress American cities are making in environmental stewardship and sustainable growth." (added to sidebar under architectural links::planning/urban)

Saturday, July 18, 2009

Half Dose #64: Martha und Daniel Gantenbein

One building definitely worthy of inclusion in my post on Porous Masonry Walls is the Martha und Daniel Gantenbein Winery in Fläsch, Switzerland by Bearth & Deplazes Architekten. Like Herzog & de Meuron's Dominus Winery in California, the walls filter sunlight entering certain spaces.

HD64a.jpg
[Martha und Daniel Gantenbein by Bearth & Deplazes Architekten with Gramazio & Kohler | image source]

Bearth & Deplazes' piece for the winery is an addition to two existing buildings; together they create a new courtyard. The new building's form recalls the older buildings, with a shallow hip roof raised above the textured brick walls.

HD64b.jpg
[Martha und Daniel Gantenbein by Bearth & Deplazes Architekten with Gramazio & Kohler | image source]

These brick walls are infill for a regular concrete frame, but the pattern of the brick is anything but regular; circular "bubbles" appear from a distance, while up close the varying directions and shadows of the brick appears random.

HD64c.jpg
[Martha und Daniel Gantenbein by Bearth & Deplazes Architekten with Gramazio & Kohler | image source]

The architects worked with Gramazio & Kohler on the facade, a double-skin of brick with polycarbonate panels on the interior. As they describe: "[a] robotic production method ... developed at the ETH [Zurich] enabled us to lay each one of the 20,000 bricks precisely according to programmed parameters—at the desired angle and at the exact prescribed intervals." Therefore a supergraphic composed of overlapped "grapes" could be created in brick in precast panels without the expense of numerous mock-ups or traditional masons.

HD64d.jpg
[Martha und Daniel Gantenbein by Bearth & Deplazes Architekten with Gramazio & Kohler | image source]

But could this design be achieved with traditional masonry techniques? Determining the exact angle of each individual brick would have been difficult, especially without any repeating pattern evident. Additionally the application of bonding agents may have been easier with masons, given the variety of overlaps, but the use of computers enabled this hurdle to be addressed fairly easily. And finally the timeframe of three months for Gramazio & Kohler's contribution is most likely too fast for traditional masons, especially with the complexity of the design. So I'm guessing the design arises from robots being able to tackle the pattern. Surely more similarly complex facades will follow.

HD64e.jpg
[Martha und Daniel Gantenbein by Bearth & Deplazes Architekten with Gramazio & Kohler | image source]

The effect of the brick and its gaps on the interior spaces is what makes the facade's design a standout, more than the exterior pattern. The varying degrees of light infiltration signals that the space inside is special, as is what's contained within. Other spaces in the addition (below) have their own unique qualities, but they don't come close to matching the drama of the dappled light in the fermentation rooms.

HD64f.jpg
[Martha und Daniel Gantenbein by Bearth & Deplazes Architekten with Gramazio & Kohler | image source]

Links:
:: Bearth & Deplazes Architekten
:: Gramazio & Kohler
:: Wienerberger Brick Award 2008

Thursday, July 16, 2009

Today's archidose #334

The State Museum of São Paulo in São Paulo, Brazil by Paulo Mendes da Rocha, 1993.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose

Publishing Practices—Book Survey

Former Actarian Michael Kubo is working on "a research project on publishing practices to be exhibited at Pinkcomma gallery in Boston in September 2009." Part of Kubo's research is a survey that is "intended to study the reception and influence of architectural publications for those who have received an architectural education and are currently practicing in various design-related fields."

Some details:
"You are each asked to list five books (architecture-related or not) that have been important to your education and/or your current practice in the field, be it design-oriented, scholarly, academic, speculative, or any combination of these. Following the selection of five books are a series of general questions on the value of architectural publications today. ... The collected replies will be used to produce a set of information graphics on the role and impact of architectural publications, for exhibition in September and possible publication thereafter."
A screenshot of the survey:
kubo-survey.jpg

The confidential survey takes about 15-20 minutes and has a deadline of August 1. Get to it!

Book Review: Three Books on Urbanism

Retrofitting Suburbia: Urban Design Solutions for Redesigning Suburbs by Ellen Dunham-Jones and June Williamson
Wiley, 2008
Hardcover, 272 pages

Sustainable Urbanism: Urban Design With Nature by Douglas Farr
Wiley, 2007
Hardcover, 256 pages

Urban Design for an Urban Century: Placemaking for People by Lance Jay Brown, David Dixon, Oliver Gillham
Wiley, 2009
Hardcover, 304 pages

book-3urban.jpg

President Obama's nearly $800 billion economic stimulus package promised to spark a building boom, but one focused primarily on the construction and repair of highways, bridges, and other pieces of aging infrastructure that admittedly require attention. These short-term band-aids in the name of job creation raise questions about how the first urban president since Kennedy will address the direction of our cities and suburbs, specifically their unsustainable trends. Where few arguments remain for continuing the suburban sprawl that gobbles resources faster than any place at any time in the world's history, it does just that. And cities persist in paving over everything natural about a place and draining the assets of the rural surroundings, offsetting the benefits arising from their density and diversity.

If better alternatives exist to these American ways of living on the land, why aren't they being implemented on a wider scale to reverse the environmental, economic and social conditions that harm us and our surroundings? New Urbanism's attempt at being a singular fix is increasingly being questioned, as the auto dependency and homogeneity of the sprawl it tries to remedy persist in its traditionally-garbed neighborhoods. The movement is proving inadequate for addressing the greater concerns facing urban areas in the 21st century. These three books on urban design's role in shaping the evolving futures of cities and suburbs argue their own unique approaches to improving the public realm, as alternatives and syntheses of New Urbanism and other approaches.

The title with apparently the most potential is Sustainable Urbanism by Chicago-based architect and planner Douglas Farr, the current chair of LEED-ND, the system's Neighborhood Development component. The book's appealing-sounding moniker knits together smart growth, new urbanism, and green building, three movements that address the sliding scales of regions, neighborhoods, and buildings, respectively. Farr advocates for transit-served, walkable neighborhoods with high-tech buildings and infrastructure. Chapters on the implementation and thresholds of sustainable urbanism are a descent resource for what hopes to be a burgeoning movement, as are the diverse case studies that round out the book. Farr's Sustainable Neighborhood Diagram is the most telling illustration of sustainable urbanism's benefits and drawbacks: Transit and habitat corridors and other commendable ecological features barely conceal the top-down imposition of what Michael Sorkin calls "starbucks urbanism."

In Retrofitting Suburbia, architecture professors Ellen Dunham-Jones and June Williamson target the outdated, unsustainable developments of existing suburbs. With the reduction of vehicle miles traveled (VMT) as their goal, the authors see transit options and increased density as the key means for success. The changing demographics of suburbia – increasingly comprised of single and aging populations – are opportunities for techniques like retrofitting garden apartments on typically single-family lots and making over strip malls and big-box stores into mix-used nexuses of activity. As the suburbs have lost their homogeneity, the authors argue, the suburban morphologies that have resisted change for so long are ripe for these and other transformations. From Levittown to edge cities, the book leaves no suburban condition untouched. Not surprisingly, the examples proffered, like Farr's book, are rooted in New Urbanism, leaving one yearning for even fewer VMTs and more formal diversity.

Urban Design for an Urban Century – the product of New York-based professor and practitioner Lance Jay Brown, David Dixon of Boston-based Goody, Clancy & Associates, and the late architect and planner Oliver Gillham – lacks the polemical focus of the other two titles, instead looking broadly at the urban designer's role in creating places for people. A handful of principles for the next generation of work by urban designers evolve from their analysis of the 70 projects winning AIA Institute Honor Awards for Regional and Urban Design over the last ten years included here. After a concise, yet thorough history of urban design and the decentralization of cities, the authors call for the recentralization of cities. The case studies, ranging from streetscapes to regional plans, are aligned with this ideal, but their variety illuminates more potential avenues for urbanism's future than the other two books.

Although each book is similar, they also divert sharply from each other. Overlap in ideas and techniques certainly occurs, but the differences point to the improbable success of singular, top-down scenarios in today's social and political climate. Sustainable Urbanism comes closest in aspiration for the one-stop-shop of New Urbanism, but the diversity of Brown, Dixon and Gillham's compendium points to a more realistic unfolding of reality. All three books should be consulted by those shaping the increasingly urban realms in the United States, with each offering numerous examples of commendable urban design. President Obama should take note.

or for Retrofitting Suburbia

or for Sustainable Urbanism

or for Urban Design for an Urban Century

Wednesday, July 15, 2009

Literary Dose #38

Contemporary Bibliography
"For Pierre Restany it was the society founded on the eternal that was obsessed with the values of permanence and materiality; today, instead, we share the understanding, matured from the 1960s onwards, that what is real is not eternal. ... The danger of contemporary culture is not the freshness of the image, its here and now, but rather its freezing, mummifying it in a form that remains immutable over time. The obstinate hope for perrenial monuments in the end testifies to a headstrong obtuseness that we have dragged behind us since the time of the Egyptians, and which consists of wanting, at all costs, to exorcise death and refuse the deeper meaning of life, which is precisely that of mutability."
- Luigi Prestinenza Puglisi from New Directions in Contemporary Architecture: Evolutions and Revolutions in Building Design Since 1988 (Wiley, 2008, pp. 111)

(Luigi Prestinenza Puglisi's book contains a bibliography of "50 books, 10 of which are must-haves." I don't have all of the must-haves, but I do have 10 of the 50, pictured above.)

Tuesday, July 14, 2009

Today's archidose #333

Here's a tour of some Dutch buildings photographed by Helioscribe.

Sabic Europe Head Office
[Sabic European Head Office in Sittard by Group A]

Smarties
[Smarties, Uithof (student housing) in Utrecht by Architectenbureau Marlies Rohmer]

Wozoco Apartments
[WoZoCo Housing in Amsterdam by MVRDV]

Qubic
[Qubic (student housing) in Amsterdam by HVDN Architecten]

Animal Shelter
[Animal Refuge Center in Amsterdam by Arons en Gelauff Architecten]

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose