40 Bond Rumination #3
My lapse in the as-promised series of posts on Herzog & de Meuron's 40 Bond has not gone unnoticed by yours truly. So to wrap this thing up (hopefully with something of substance), this is the first of two more posts to end the series. Here, I'll look at the "function of graffiti," and the last will try to sum up my thoughts on the Ian Schrager condo. When I say "function of graffiti," what I mean is the purpose of the curvy, cast-aluminum screens/gates that demarcate public from private, sidewalk from townhouse, us from them, the screens whose patterns were " derived from contemporary graffiti tags, hybridized by computer." These screens veer strongly from the simple curved-glass profiles that cover the concrete frame above. While the textured metal walls tucked behind these screens strive to balance these two architectural statements, the graffiti design is so strong in its own right to make that balance next to impossible. But why is su...