Traditional vs. Progressive in Alaska
Over at City Comforts, Laurence Aurbach writes about the recent competition for the Alaskan State Capitol, won by Pritzker Prize-winner Thom Mayne's Morphosis with local architect mmenseArchitects. He examines a counter-proposal by Marianne Cusato, "using the historic precedent of Russian civic buildings built in the 19th century."
Cusato's State Capitol
Aurbach contends that Cusato's design is superior to the winning design for three reasons:
Morphosis's State Capitol
What seems to be at issue here is legibility: traditional design rooted in historical styles - that use columns, pediments, arches, etc - is understood by most, though contemporary design that lacks direct precedent lacks the ability to be understood by the same. So the argument goes and has been going on since Modern architecture took favor last century with architects, developers and cities. So I definitely won't be able to solve anything here, but I'd like to address Cusato's argument that accompanies her design.
She titles her letter "Alaska Deserves a Real Capitol Building, Not an Egg." Granted that the dome of the winning design has an egg-like form - a popular form for contemporary architects globally today - but this title only helps to diminish the design by associating it with an actual egg, much the way the THINK team's WTC runner-up design was described as a skeleton, effectively killing their chances of winning. Cusato continues to use this ammunition with phrases like, "[the design] is egg on the face of all Alaskans." Not very funny.
Basically, Ms. Cusato's argument is fool-proof because she states, "Alaska's capitol should be rewarded with a building no less grand than the other 49 that have stood the test of time in our country." Looking at the other 49, it's apparent that most are based on Washington D.C.'s Capitol Building, referencing its dome and neo-Classical language, so therefore Alaska would have to do the same to be properly rewarded.
But if Alaska wanted to do what the mainland did already, why did they hold a competition? Competitions are notoriously geared towards finding contemporary solutions, those selecting traditional designs (see Michael Graves) creating as much negative controversy as this one apparently is. The design by Morphosis (to be featured on my weekly page Monday, so I won't go into too much detail here) responds admirably if awkwardly to the task. They are definitely trying to find a contemporary solution to the question of what a state capitol should look like, coming close with the dome (evident in the image above) but looking too much like an office building (which a Capitol is to a certain extent) and not civic enough in other parts.
So do we abandon the winning design in favor of a 19th century Russian civic structure? Or do we do as Mayne says and speak to him, in favor of modifying and improving the winning design? I would recommend the latter.
Update 04.07: The Anchorage Daily News picks up the story of "'Traditional' architects challenging winning Capitol design.
Cusato's State Capitol
Aurbach contends that Cusato's design is superior to the winning design for three reasons:
1. It creates and orders its surrounding spaces into accessible, functional parks and greens.Looking at the Capitol Building's site, Thom Mayne appears to be inviting criticism, saying "Now we say to Alaskans, 'these are some things we propose: speak to us.'" According to Aurbach they are speaking, with "dislike and discontent." Also, according to Aurbach, somebody like me "will object that a tradition-based design is 'not of our time,' and that "new materials and construction methods mean that only un-ornamented, machine-like designs with a high novelty factor can be authentic." Well, I believe that the way we build defines what "our time", so if we build traditionally that indicates take pride in history, for example, and the counter indicates that we are thinking ahead. At the moment, "our time" is a multitude of different styles and directions, all finding a place somewhere. The same applies to ornament, something that can be attributed to long-gone craftsman, replaced (unfortunately) by mass production and the building manufacturing industry.
2. It provides a more legible point of reference in the city fabric.
3. The design conveys meaning.
Morphosis's State Capitol
What seems to be at issue here is legibility: traditional design rooted in historical styles - that use columns, pediments, arches, etc - is understood by most, though contemporary design that lacks direct precedent lacks the ability to be understood by the same. So the argument goes and has been going on since Modern architecture took favor last century with architects, developers and cities. So I definitely won't be able to solve anything here, but I'd like to address Cusato's argument that accompanies her design.
She titles her letter "Alaska Deserves a Real Capitol Building, Not an Egg." Granted that the dome of the winning design has an egg-like form - a popular form for contemporary architects globally today - but this title only helps to diminish the design by associating it with an actual egg, much the way the THINK team's WTC runner-up design was described as a skeleton, effectively killing their chances of winning. Cusato continues to use this ammunition with phrases like, "[the design] is egg on the face of all Alaskans." Not very funny.
Basically, Ms. Cusato's argument is fool-proof because she states, "Alaska's capitol should be rewarded with a building no less grand than the other 49 that have stood the test of time in our country." Looking at the other 49, it's apparent that most are based on Washington D.C.'s Capitol Building, referencing its dome and neo-Classical language, so therefore Alaska would have to do the same to be properly rewarded.
But if Alaska wanted to do what the mainland did already, why did they hold a competition? Competitions are notoriously geared towards finding contemporary solutions, those selecting traditional designs (see Michael Graves) creating as much negative controversy as this one apparently is. The design by Morphosis (to be featured on my weekly page Monday, so I won't go into too much detail here) responds admirably if awkwardly to the task. They are definitely trying to find a contemporary solution to the question of what a state capitol should look like, coming close with the dome (evident in the image above) but looking too much like an office building (which a Capitol is to a certain extent) and not civic enough in other parts.
So do we abandon the winning design in favor of a 19th century Russian civic structure? Or do we do as Mayne says and speak to him, in favor of modifying and improving the winning design? I would recommend the latter.
Update 04.07: The Anchorage Daily News picks up the story of "'Traditional' architects challenging winning Capitol design.