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Showing posts from June, 1999

Villa Busk

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Villa Busk in Bamble, Norway by Sverre Fehn, 1990 Sverre Fehn's career has spanned five decades, but it was not until he received the 1997 Pritzker Prize that he gained international renown. This private residence, built in his native country like much of his work, is typical of his buildings in their relation to site, strong materiality, and blend of modernity and regionalism. Much like Finland's Alvar Aalto, Fehn's buildings have a timelessness that arises from these qualities. Villa Busk straddles a ridge, adjacent to a valley that runs to the nearby Oslo Fjord to the south and west. The plan is arranged along a linear spine, oriented east to west, rising to the latter end of the house, following the natural terrain (a tower and storage shed break from this linearity). This gesture describes that main theme of the house and Fehn's work in general: the strength of nature and man's subordinatio...

Thermal Spa

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Thermal Spa in Vals, Switzerland by Peter Zumthor, 1996 Last week's dose transcribed an essay by Peter Zumthor, "Teaching architecture, learning architecture" . This week we look at Zumthor's Thermal Spa in relation to the main ideas in that essay: the sensuousness of materials and architecture as a balance of emotion and reason. Located in the architect's home country of Switzerland, the Thermal Spa in Vals exemplifies Zumthor's recent work and is an ideal building to analyze. The bath house is a simple rectilinear structure, constructed of a local stone, gneiss, formed from the same heat that warms the water of the baths. In plan, the building is organized around a rectangular outdoor pool and a square interior pool, with auxiliary spaces (showers, toilets) contained in small block adjacent to the pools. The separation between indoor spaces is minimal and...

“Teaching architecture, Learning architecture”

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"Teaching architecture, Learning architecture" by Peter Zumthor, excerpted from his book Thinking Architecture published by Lars Müller Publishers in 1998 Young people go to university with the aim of becoming architects, of finding out if they have got what it takes. What is the first thing we should teach them? First of all, we must explain that the person standing in front of them is not someone who asks questions whose answers he already knows. Practicing architecture is asking oneself questions, finding one's own answers with the help of the teacher, whittling down, finding solutions. Over and over again. The strength of a good design lies in ourselves and in our ability to perceive the world with both emotion and reason. A good architectural design is sensuous. A good architectural design is intelligent. We all experience architecture before we have even heard the word. The roots of architectural unde...

Private Residence

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Private Residence in Chicago, Illinois by Tadao Ando, 1998 Tadao Ando's first major American commission (after a small gallery design in the Art Institute of Chicago) is a private residence (1998) in the Lincoln Park area north of downtown. The design and construction continue the Japanese architect's consistent body of work with its focus on simple geometries and the relationship between light and space. Ando's work remains aesthetically identical from country to country (having also built in Europe as well as Asia), with context dictating very little except orientation relating to sun, wind, and views. Mainly reinforced concrete, glass, and steel, every building Ando constructs bears these trademarks, with differences arising in composition and spatial progression. This private residence is no exception. Situated on a 75-foot wide triple lot, the house does not attempt to blend in with its neigh...