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Showing posts from February, 2023

Changing Ideals in Architectural Criticism

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On the Duty and Power of Architectural Criticism  edited by Wilfried Wang, published by Park Books and University of Texas at Austin, 2022 ( Amazon  /  Bookshop ) Who Is the City For?: Architecture, Equity, and the Public Realm in Chicago  by Blair Kamin with photographs by Lee Bey, published by University of Chicago Press , 2022 ( Amazon  /  Bookshop ) In her contribution to On the Duty and Power of Architectural Criticism , "Critical Influence: The Influence of the Popular Architecture Critic on Architectural Decision-making," Kristen Harrison starts with a quote by Michael Sorkin: "I don't mean to trivialize either the function or the concept of criticism but — just like architecture — it must also be judged by its effects." I'll address that statement over the course of this post, but first I wanted to point out its origin. Sorkin said those words at the Architectural Association in London in February 2014, on the first day of a two-day symposium,...

On Case Studies

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"What is a case study?" you might be asking, or maybe, "Is it different than a monograph?" Although the word  monograph literally applies to any book devoted to any individual subject — be it a person, a place, a thing, or even an idea — in the realm of architecture books that one-word term is used more prevalently, if not strictly, in regards to individual architects and/or firms. A book on Le Corbusier is a monograph. A book on Villa Savoye is a case study. Although I opted to have two chapters in my book Buildings in Print  titled monographs — "Monographs (Architects)" and "Monographs (Buildings)" — I still prefer to call books devoted to buildings and other individual works (landscapes, artworks, books, etc.) as "case studies." I like how the phrase indicates that the subject, the case , is being analyzed in depth: it is being studied , not just presented. Ideally, a case study delves into the meaning and other aspects of a build...

For the Love of (Architecture) Books

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Tomorrow is Valentine's Day, so I put together a list some things I love  ❤️  about architecture books — and just as many things I don't love  💔  about them: 20 pairs in 4 categories. I can't be alone in having these opinions and I might be a bit harsh in my criticisms, but if I left something out or if you disagree with me, please comment.  Book Browsing + Buying: "18 miles of books" is a lot to keep organized. I ❤️ Browsing a well kept bookstore I 💔 Browsing an unkempt bookstore   Sometimes, as in the pair of photos above, they are one and the same. I ❤️ Finding books on Amazon – a decade ago I 💔 Finding books on Amazon – today   I'm just looking for architecture books, so no need to hit me with Prince Harry's new book on Every. Page. Of. Search. Results. I ❤️ The smell of books, be it that distinctive used bookstore scent or the whiff of a new book after peeling off its plastic wrap I 💔 Opening the envelope with that book I bought in "good...

Three Lessons from Three Monographs

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Writing a blog devoted to architecture books means featuring monographs — lots of monographs. Not exclusively, of course; but before this blog transitioned to its current weekly format, one of the thematic days of the week was appropriately devoted to monographs: Monograph Monday . Monographs are an unavoidable part of architecture books. No matter how often they are decried as passé, endangered , or even dead, monographs persevere as one of the best means of presenting a firm's built and unbuilt works  and  for marketing the same to new clients. These "uses" of monographs find their origins in books on Frank Lloyd Wright but were most influential in Le Corbusier's Oeuvre Complete , put out in eight volumes between 1929 and 1970, the last one posthumously. Though edited by others, the series of monographs were strongly controlled by Le Corbusier, which enabled a comprehensiveness many contemporary monographs forget about in their photo-heavy presentations. These three...