Architecture Depends by Jeremy Till
MIT Press, 2009
Hardcover, 232 pages
The economic crisis's considerable impact on architectural jobs and billings in the United States illuminates the fragility of a profession responsible for less than 5% of buildings in this country. Long relying on the Vitruvian triad of firmness, commodity and delight for guidance, architects here and elsewhere are hoping for an effective way forward in the recent green building trend, pushing primarily technological solutions to that other crisis. Dean of Architecture and Built Environment at the University of Westminster, Jeremy Till eschews the traditional concerns of aesthetics and tectonics and the newfound embrace of sustainability, calling for a reorientation of the profession towards an ethical stance rooted in the social and political. He believes a preoccupation with form and technique isolates architects from their fellow citizens, discounting Henri Lefebvre's aphorism that "(social) space is a (social) product."
Influenced primarily by the social theories of Zygmunt Bauman, contingency is the prevailing term in Till's convincing argument, the uncertain that architects – and modernism's project – remove from consideration by placing order above all else. Till embraces contingency and labors to reverse the long held orderings of abstraction over reality, space over time, client over use. He does so for most of the book, making one yearn for more solution and less argument, a deficit the author acknowledges at book's end. Before that, Till details a few key suggestions: seeing professional knowledge as a network with the architect as a "citizen sense-maker" weaving together normally divergent concerns; reinvigorating the architect's role in shaping the building program; and approaching sustainability as a social/ethical problem instead of a technical one.
Frustratingly for visually-minded architects, Till refuses to illustrate the book with examples of what fits his ethical architecture mold, merely naming a few who embody his principles. Nonetheless this jibes with an open argument bent on moving beyond appearances and into architecture's potential social and political embodiments. Till's anti-aesthetic views will surely receive their fair share of resistance from practicing architects, though as more professionals are pushed into unemployment lines his calls for an alternative future may look more promising and tenable.
Note: The above review was written in early 2009 for a print magazine...but it was never published. So I'm posting my unedited first draft here.