At approximately 12:12 p.m. in Christian Marclay's "The Clock" -- showing at the David Rubinstein Atrium as part of Lincoln Center Festival 2012 -- comes a clip from the 1948 film Hamlet , in which the title character holds the skull of the court jester, Yorick, and says, "Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! [quote snipped from Wikipedia ]" Before setting foot within the black box space erected within the privately owned public space spanning between Broadway and Columbus, I had a number of preconceptions about Marclay's 24-hour visual artwork. One was a parallel with the video in David Foster Wallace's Infinite Jest (which is supposedly named for the Hamlet quote), the one that people can't stop watching because the film taps into a part of the brain that provides it pleasure, an unending pleas...