Sunday, September 30, 2007

Sidebar update: I've added a category to the architectural links, publications on architecture, design, landscape, and urbanism that have web content. Here's the list as of today, though feel free to comment if you know of one I've missed.
:: Abitare
:: a+t
:: Archis
:: Architectural Record
:: Architectural Review
:: Architect Magazine
:: Architecture and Culture
:: Architecture Australia
:: ark
:: art 4D
:: A10
:: Azure
:: Building Design
:: DETAIL
:: Domus
:: Dwell Magazine
:: El Croquis
:: Frame Magazine
:: Harvard Design Magazine
:: Icon Magazine
:: Japan Architect/A+U
:: MARK Magazine
:: Metropolis Magazine
:: Monu
:: The Plan Magazine
:: The Next American City
:: Quaderns
:: RIBA Journal
:: 32BNY
:: Topos
:: Ume Magazine
:: Via Arquitectura
:: Wallpaper*

4 Comments:

At Monday, October 01, 2007 11:09:00 AM, Blogger Chris said...

Canadian Architect
http://www.cdnarchitect.com/

 
At Monday, October 01, 2007 12:46:00 PM, Blogger Michelle Linden said...

Arcade Journal

http://www.arcadejournal.com/public/default.aspx

 
At Wednesday, October 03, 2007 8:02:00 PM, Blogger John said...

Thanks, Chris and Michelle.

 
At Wednesday, November 21, 2007 8:31:00 PM, Blogger quino said...

AV
2G
Tectónica

 

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Limerick County Council HQ in Limerick, Ireland by Bucholz McEvoy Architects, 2004.

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Saturday, September 29, 2007

While looking around one of my favorite bookstores I came across Virginia McLeod's Detail In Contemporary Residential Architecture, an "analysis of both the technical and the aesthetic importance of details in the development of contemporary domestic architecture from 2000 to 2005."

mcleod1.jpg

What impresses the most is the quality of the projects and the clear and consistent layout, making the presentation of details that much stronger. Many other detail-oriented books presenting projects side by side tend to have drawings that vary in quality and content, making some projects more helpful to the reader than others, or just more interesting to look at.

mcleod2.jpg

The extra effort required to create consistent drawings pays off in the form of having a solid reference, rather than just a hurried and inexpensive collection of what's cool now.

mcleod3.jpg
"Virignia McLeod studied architecture in Australia and has worked for a number of private practices in London. She was the editor of The Phaidon Atlas of Contemporary World Architecture and currently works as a freelance writer and editor." [source]

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Friday, September 28, 2007


School of Music triptych, originally uploaded by numstead.

The Earl V. Moore Building by Eero Saarinen (1964), home of the Music Department, on the campus of The University of Michigan in Ann Arbor.

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Thursday, September 27, 2007

For WNYC's Leonard Lopate show, writer Christopher Gray, author of New York Streetscapes and a regular column for the New York Times, asked listeners to submit pictures of what they think are the worst buildings in New York City. Yesterday he discussed what makes a building bad, unveiling his choices for the worst buildings.

Here's a slideshow of listener submissions:



(via Archinect)

2 Comments:

At Friday, September 28, 2007 2:24:00 AM, Blogger Joe said...

I feel like I have to defend those precast-clad towers of the 50s-60s. I'm way too young to really have a grasp on their initial reception, but I do know that they're too easy of targets for today's taste. I don't like their abrasive texture and menacing demeanor, but I do like them for having produced some of the craziest precast concrete experiments.

 
At Wednesday, October 03, 2007 8:24:00 PM, Blogger John said...

Given the perceived cyclical nature of architectural design, perhaps those sorts of designs will make a comeback. I've long thought that all glass buildings aren't as interesting as mass and texture, though that trend doesn't seem to be dying down...yet.

 

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Wednesday, September 26, 2007

First came Gehry, then plans for a Selldorf (minus Johnson) and a Nouvel. And now there's Shigeru Ban's Metal Shutter Houses on West 19th Street, a stretch from the Highline to the West Side Highway that's quickly becoming some sort of Starchitect District.

westside.jpg

Ban's addition, revealed at Curbed, is named for the large operable shutters on the facade that open and close to bring outside inside, or vice-versa. It's an interesting idea that seems more suited to the west-facing site of the IAC HQ, rather than the north-facing lot it occupies. Regardless, these large shutters will give the building its character, particularly the combination of open and closed and in-between from the different tenants. I'm guessing the closed view of the rendering -- and image that makes the building like a solid block with some subtle relief -- will be a rarity.

(via Archinect)

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Tuesday, September 25, 2007

"Thinking about daylight and artificial light I have to admit that daylight, the light on things, is so moving to me that I feel it almost as a spiritual quality. When the sun comes up in the morning -- which I always find so marvelous, absolutely fantastic the way it comes back every morning -- and casts its light on things, it doesn't feel as if it quite belongs in this world. I don't understand light. It gives me the feeling there's something beyond me, something beyond all understanding. And I am very glad, very grateful that there is such a thing. And I have that feeling here too; I'll have it later when we go outside. For an architect that light is a thousand times better than artificial light."
- Peter Zumthor, from Atmospheres (2006). The book is a transcript of a lecture Zumthor gave at Wendlinghausen Castle in East-Westphalia-Lippe, Germany in 2003.

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3 Comments:

At Tuesday, September 25, 2007 10:31:00 AM, Anonymous sideofwisdom said...

Can anyone else hear "come to my window" playing in the background or is it just me? I have to say I really think in many ways that Zumthor is the Melissa Etheridge of the architecture world.

 
At Tuesday, September 25, 2007 11:51:00 AM, Anonymous Anonymous said...

that's strange i was hearing 'enter the sandman' .

 
At Tuesday, September 25, 2007 3:19:00 PM, Blogger brandon said...

Thank you Hilltown.

It is great to hear someone so gifted saying something so profound of which contains him saying he does not understand light. very humble statement to some extent. refreshing as well that an architect is not claiming to own or to have mastered...very Zen

 

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Monday, September 24, 2007

My weekly page update:
image01sm.jpg
Royal Netherlands Embassy in Addis Ababa, Ethiopia by Dick van Gameren and Bjarne Mastenbroek.

Some unrelated links for your enjoyment:
Jane Jacobs and the Future of New York
An "exhibition about how a legendary activist changed New York in the 1960s -- and how you can shape the city today," running from September 25 through January 5 at the Municipal Arts Society.

Performance Z-A
A pavilion and 26 days of events to celebrate the Storefront for Art and Architecture's 25th anniversary, running until October 16.

Architecture in Art
The latest Artkrush focuses on this appealing topic.

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Sunday, September 23, 2007

Came across this photo on Flickr and couldn't help agree with thegoatisbad's assertion that Zaha Hadid's Landesgartenschau (aka LFone) in Weil Am Rhein, Germany looks pretty crappy for a building less than ten years old.

Compare with a couple (unfortunately) lo-res images from when I featured the building on my weekly page back in '99 to see the difference.

zaha1.jpg

17 Comments:

At Monday, September 24, 2007 5:39:00 AM, Blogger house42 said...

When we visited the building two years ago, it was somehow abandoned (it housed a bar opening only on weekend nights).
The building is not to blame for its own state, even if it is really unimpressive, but the location: deserted and lost in the Weil Am Rheim suburbs.
Sometimes it is better to tear down buildings meant for temporary expositions.

House42

 
At Monday, September 24, 2007 9:34:00 AM, Blogger Rusty said...

It's definitely not aging as gracefully as one might hope...

But it also probably wouldn't look quite as bad with the concrete dry... not really a fair comparison.

(Obviously not accounting for the abandoned landscaping & graffiti)

 
At Monday, September 24, 2007 10:02:00 AM, Blogger brandon said...

to be expected for architects who see the moment only

 
At Monday, September 24, 2007 10:24:00 AM, Anonymous Anonymous said...

I've visited this building, 3 months ago, and it look very bad, a lot of technical problems, and it look more than abandoned. I was very desapointed after a long walk to see it, just after the Vitra project...

 
At Monday, September 24, 2007 11:49:00 AM, Blogger daniel said...

Would it be wrong for me to say I like the way the building's aging? There is such a thing as graceful decay.

 
At Monday, September 24, 2007 12:34:00 PM, Anonymous lindsey said...

it doesn't seem fair to blame an architect for the state of a building that's been abandoned*.

all built things require maintenance of some type, if only the weeding of the driveway and the sweeping of the sidewalks.

* according to the people who have been there

 
At Monday, September 24, 2007 1:02:00 PM, Anonymous iaakuza said...

i visited it 4 years ago... it looked in a good state. It is quite clear that the building has a lot of technical problems (the simplest is the roof...the purity of the shape doesn't have to mean lackness of detail...). All these problems should be attributed to the architect (who, instead of solving some details, dared to ask a 12 mt. long glass that costed by itself a huge amount of money)

 
At Monday, September 24, 2007 1:29:00 PM, Anonymous sideofwisdom said...

It just looks like it needs a hug.

 
At Monday, September 24, 2007 4:24:00 PM, Blogger AM said...

"It is not what a building looks like on the day it is opened but what it is like thirty years later that matters."

Alvar Aalto

 
At Monday, September 24, 2007 4:57:00 PM, Blogger Michelle Linden said...

I'm a big believer that buildings need to be designed for the long haul, in order for them to age gracefully.

I visited this building about 6 years ago and it was already showing some signs of wear, however when you consider that the building was meant as a 6 month exhibition... are we asking too much for the building to withstand the onslaught of time?

 
At Monday, September 24, 2007 7:14:00 PM, Blogger AM said...

"béton brut", sorry, slick béton for a 6 month exhibition? goodness gracious!...

 
At Tuesday, September 25, 2007 6:57:00 AM, Anonymous sushi lover said...

All buildings need maintenance! If it is abandoned as some people here have said even a aalto building could look like crap. And you can't compare production pictures for magazines with a digital on a rainy day! It's not the buildings or zahas' fault that no one cares for the wild "garden around" or cleaning graffitis...

and like someone said, if it was meant to last 6 months, you can't ask to last 60 years.

 
At Tuesday, September 25, 2007 9:50:00 AM, Anonymous jeff said...

Probably a flat parapet with no drip edge. Little details that make a difference, if you can be concerned with such mundane things.

 
At Tuesday, September 25, 2007 8:47:00 PM, Blogger John said...

Even though the building was made for a 6-month flower exhibition, it was definitely constructed for a longer period, like the Flower Pavilion in Potsdam. Both the failure of post-exhibition programming and its remote locale seem to be the cause of a premature aging, though this doesn't exempt Hadid from a role in its current state. Rather than referring to the construction or detailing, I'd assert that the shape of the building, derived from its relationship to the site (the site probably given to her, though I'm not certain if she chose it instead) is also to blame. Hadid is known for skinny, long spaces, ones that made her Fire Station unusable for its intended purpose at nearby Vitra. The similarly-proportioned spaces here make it difficult to find uses that will work for the long haul. Sure a bookstore or some other retail space might work (and supposedly has, per house42), but not in this semi-rural location. Until one can find something that can straddle form and site, this building will continue to deteriorate.

 
At Tuesday, September 25, 2007 10:51:00 PM, Anonymous epochedifice said...

Age and neglect of Architecture has created profound (often surreal) and moving beauty. The pristine immaculate clean corporate architecture we are so accustom to, partially due to “publication”, can appear sterile, devoid of the passing of time, like a facelift on a Hollywood star. I find the image of the building (here) deeply attractive and am happy it does not look as it did the day it landed in the glossy pages of Record. It is good.

 
At Wednesday, September 26, 2007 5:14:00 PM, Blogger brandon said...

to the comment regarding weeds...i personally think the weeds are the most fortuitous aspect of the buildings new found identity.

and to the comment about the building a hug...I'd offer mine in the form of a five-ton wrecking ball....tough love. i feel compelled to state what i said before...this is to be expected for architects who see the moment only. to me her work immediately dates itself...a non-functional signature, not a building. i find it ironic that the building has such a dated appearance when it is a relatively new building. to me that is the embodiment of poor design. sure maintenance is needed on many a building to maintain 'beauty' but then again if a buildings so called beauty and integrity degrades at the rate at which some of the other posts state in just four years...imagine just how bad it will be in two years. seems as though Zaha's buildings don't have a very good half-life conversion.

a building should be able to stand on its own for many years with minimal maintenance and not demand a total face-lift once the precious materials begin to tarnish. there are too many excellent examples of buildings to list now that have maintained if not become better with the natural patina of time...not have it to be a scar across its face....maybe one of the seminal examples would be Saynatsalo Town Hall by Alvar Aalto. I think Aalto would have frowned upon the very notion of setting aluminum housings with fluorescent bulbs in the ground. i don't care just how fantastic technologies have become to 'allow' us to do anything...its still a bad idea and looks worse. good thing the weeds are about to consume it.

 
At Thursday, September 27, 2007 11:09:00 AM, Anonymous epochedifice said...

I agree with Brandon, well said.

For now we must enjoy the weeds, the decay; live in the moment and accept what time and nature give us.

 

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exploded wine barrel, originally uploaded by jiathwee.

The National Wine Centre of Australia by the Grieve Gillette and Cox Architects. This building was featured on my weekly page in 2002.

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Saturday, September 22, 2007



Have a good weekend!

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Friday, September 21, 2007


High Court_3, originally uploaded by *chiara!.

The high court of Punjab, in Chandigarh, India by Le Corbusier, 1955.

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At Friday, September 21, 2007 3:09:00 PM, Anonymous sideofwisdom said...

Tom Mayne needs to take a site visit.

 

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Thursday, September 20, 2007

Chris Mottalini is a New York-based photographer who has documented vacant homes designed by Paul Rudolph, photographed just prior to demolition.

mottalini1.jpg
mottalini2.jpg
Westport, CT 1972-2007

Rudolph's building seems to be falling these days at a rate faster than even the busiest architect can throw them up. The house above in Westport received a fair amount of press earlier in the year when a last-minute attempt to save it failed.

mottalini3.jpg
mottalini4.jpg
Westerly, RI, 1956-2007

The Cerritto House in Rhode Island was spared the fate of other Rudolph creations, as its new owners moved it to Catskill, NY. Like other houses, this one depended a great deal on its site for its meaning, though I'm guessing the move is seen as a win over the apparently popular alternative these days.

mottalini5.jpg
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Sarasota, FL, 1941-2007

Rudolph is known for many things, such as popularizing the short-lived brutalist Modernism of his Yale Art and Architecture building. He was also one of the major architects of the Sarasota School of Architecture, "a regional style of post-war architecture that emerged on Florida's Central West Coast." The Riverview High School is the latest building threatened in that state, in addition to houses like above.

While Mottalini's photos in the "after you left, they tore it apart" series strike a similar appeal as other images of ruins and the like, they serve a dual purpose of bringing attention to not only the state of these buildings shortly before their fate is sealed, but also raising the question of why such unique buildings are threatened to begin with.

(Thanks to Chris for the head's up!)

2 Comments:

At Sunday, September 23, 2007 9:48:00 AM, Blogger LEEBEY said...

great post. that second shot from the bottom is almost heartbreaking.

 
At Monday, September 24, 2007 2:59:00 PM, Blogger Paul Rudolph Foundation said...

A correction: the Westerly, Rhode Island house was unfortunately demolished this past Spring despite concerted efforts to relocate the structure elsewhere. The three parties involved in the negotiations were not able to reach a mutually satisfactory agreement on how the project was to proceed.

 

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Wednesday, September 19, 2007


Kunsthal*, originally uploaded by fdo h.

The Kunsthal in Rotterdam, Netherlands by Rem Koolhaas and OMA, 1992. Note the portrait of the architect at the end of the stepped corridor.

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At Wednesday, September 19, 2007 10:01:00 AM, Anonymous Sideofwisdom said...

This is seriously one of the coolest buildings I have ever been to, it should be much more famous.

 
At Thursday, September 20, 2007 7:21:00 PM, Anonymous Anonymous said...

is that condensation (or just leaking window frames) staining the concrete? nice.

 

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Tuesday, September 18, 2007

"Digital or not, today's notion of 'sustainability' mostly refers to, and derives from, a strategy of survival: a legitimate ambition for sure, even in posthistorical times. But an ambition without drive, without impetus, and ultimately -- by definition -- without much of a future. Perhaps this is something akin to what the founding fathers of postmodernism had in mind when they foretold the 'fragmentation of master narratives.' No matter how vocal, the maintenance of the status quo cannot contend with the master narratives that preceded it. By itself, reducing energy waste is unlikely to become an exciting architectural agenda. Sustainability is already an indispensable part of any building program, its technical and economic rationale self-evident and proven. The diverse ideologies underpinning it may thrive within the general compass of a postmodern environment, but today's single-minded pursuit of a 'sustainable' development is not a postmodern vision of social responsibility. It is postmodernism run out of gas."
- Mario Carpo, in "Sustainable?" from Log 10 (2007).

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2 Comments:

At Tuesday, October 02, 2007 4:34:00 PM, Blogger michelle said...

"(Michael)Berk seeks to disabuse the notion that sustainability is a style or even a philosophy: “It is a fundamental principle of good design,” he says. “Gravity is not a philosophical position… neither should sustainability be.” Berk’s course stresses passive strategies and regenerative solutions as the means to make building physically
and psychologically comfortable."
- talking about the essence of ARC 2713 Passive Building Systems (Ecological Design).
i never thought sustainability was about postmodernism nor vice versa.

 
At Wednesday, October 03, 2007 8:27:00 PM, Blogger John said...

Michelle, that sounds like the gulf between theory and practice. I definitely agree more with the side of Berk (though I'm not familiar with his work), though one must acknowledge how sustainability is being used by the profession.

 

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Monday, September 17, 2007

No, this isn't the cover of a techno album, it's the web site of an art installation at the Old Essex Street Market at 117 Delancey (@ Essex) in New York's Lower East Side. In A Psychic Vacuum, artist Mike Nelson "[takes] audiences on an unexpected journey through reconstructed rooms, passageways, and meticulously assembled environments." It looks awesome.

vacuum1.jpg

Flickr member f.trainer wonderfully documented the various spaces a couple days after the opening. The images clearly show how the artist used "materials gleaned from local salvage yards and debris from the market's heyday," which would probably have been between the market's opening in 1940 and its eventual decline in the 1970s when supermarkets began to take hold.

117 Delancey by f.trainer
Photo by f.trainer

The line between art and environment is blurred to the extent that the former appears to be non-existent (minus the room with 80 tons of sand), as if the spaces were found in their current condition, after being inaccessible to the public since the city gained control in 1995 and closed portions of the market. To this day the market still operates, though not on the scale of its heyday.

117 Delancey by f.trainer
Photo by f.trainer

Of course, I can't say too much more about the spaces themselves, as I've yet to experience them in person. For sure I'll be visiting one of these weekends and will follow up with my own images and first-hand thoughts.

117 Delancey by f.trainer
Photo by f.trainer

(Thanks to Ana Maria for the head's up!)

2 Comments:

At Tuesday, September 18, 2007 7:07:00 PM, Blogger The Architect said...

nice blog sir
hope to see more
ive just started mine and im eager to do more with it as i can see you have done here

http://archisyphone.blogspot.com/

 
At Wednesday, September 19, 2007 4:40:00 AM, Anonymous Jennifer said...

Nice find. That last one is amazing. It makes me wish I lived in a big cool city. Well, not too much; but a bit. I'd still like to see this though.

 

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My weekly page update:
image01sm.jpg
Hanamidori Cultural Center in Tachikawa City Tokyo, Japan by Atelier Bow-Wow.

The updated book feature is Bow-Wow from Post Bubble City, by Atelier Bow-Wow.

Some unrelated links for your enjoyment:
Open Architecture Challenge
A competition to "design a sustainable multi-purpose technology facility for under-served communities," open to all.

Architectural Photography
Photographs of many contemporary buildings, in Japanese. (added to sidebar under architectural links::photography)

dod:travel
It's back...in blog form. (via Land + Living; added to sidebar under blogs::architecture)

2 Comments:

At Monday, September 17, 2007 11:57:00 PM, Anonymous epochedifice said...

refreshing, delightful, evokes Erskine!

 
At Tuesday, September 18, 2007 8:20:00 PM, Blogger John said...

I have to admit I'm not very familiar with Erskine's stuff. It might be time for a weekly dose!

 

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Sunday, September 16, 2007


cliff, originally uploaded by andrewpaulcarr.

Crampton Street residential development by Tate + Hindle, as part of the Elephant and Castle Regeneration Program in London's Southwark area.

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According to its web site, Kolumba's new building opened yesterday. Kolumba is the "art museum of the archbishopric of Cologne," Germany, designed by Peter Zumthor.

kolumba1.jpg

This is the second building to open this year by Zumthor, whose Bruder Klaus Chapel has received much press and visitors to the private chapel in Southern Germany, due to its design as much as for the fact that Zumthor produces very few buildings.

kolumba2.jpg

According to Kolumba's web site, the "architecture combines the ruins of the late Gothic church St. Kolumba, the chapel 'Madonna in the Ruins' (1950), the unique archaeological excavation (1973-1976), and the new building designed by the Swiss architect Peter Zumthor."

kolumba3.jpg

This layering of old and new is evident on the outside walls, where the new, minimal walls sit behind the old stone walls and openings of the late Gothic church. The windows of the new building sit in front of its own walls, in a slight gesture to the layering of the church openings below.

kolumba4.jpg

The most distinctive element of the exterior is a band that almost rings the building, of what appears to be small openings within the masonry exterior wall. These small openings create dappled effects on the inside walls, impressive effects per the image below.

kolumba5.jpg

It's difficult to get a full grasp on the building and its design based on the current documentation featured on Kolumba's web site (inclusive of the images above), though I'm guessing it's just a matter of time that the building gets its fair share of treatment in the press with the usual glossy photos, architectural drawings, and maybe even a video or two.

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1 Comments:

At Wednesday, September 19, 2007 3:30:00 PM, Anonymous ludwig said...

Hi John, lets start the treatment on the building's design. There are some photos in 0lll. The interior ones are only of the third floor though.
Kolumba opening day photos

 

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Thursday, September 13, 2007


Hoofddorp Bus Station by NIO, originally uploaded by dod:.

Bus station at Spaarne Hospital (aka The Amazing Whale Jaw) in Hoofddorp, Netherlands by NIO Architecten, 2005. See the station in its pre-peachy-paint state at Galinsky.

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At Friday, September 14, 2007 12:17:00 PM, Anonymous lindsey said...

that color makes me shudder. why the color of a cow's tongue??

 
At Saturday, September 15, 2007 9:03:00 PM, Anonymous Anonymous said...

Try this website I hope you find it interesting
www.architecturethegoodthebadandtheugly.com

 

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Wednesday, September 12, 2007

Some events for those in an and around New York City in the next couple of months.

The Tennessee Valley Authority: Design and Persuasion
Tuesday, September 18, 7 pm
Housing Works, 126 Crosby Street (between Prince and Houston)
"Visionary and monumental, the Tennessee Valley Authority brought hydroelectric dams, electricity, controlled flooding, and consumer appliances to an area devastated by the Depression. As contemporary designers search for models of socially-engaged design, progressive city-planning, and conceptions of the social good, the TVA becomes an important model.

Tim Culvahouse and Jane Wolff will discuss the role of design as an agent of public persuasion and as an embodiment of political ideals. Presented by Princeton Architectural Press and The Center for Urban Pedagogy."
bjarke-ingels1.jpg

Performance Z-A: a Pavilion and 26 Days of Events at Storefront
Opening Friday, September 21, 2007 (Running until October 16)
Storefront for Art and Architecture
"Twenty-five years ago, in September 1982, Storefront's first public event got underway in its original Prince Street location. Performance A-Z, organized by the gallery's founders Kyong Park and R L Seltman, and artist Arleen Schloss, was a 26-day sequence of performances by New York-based artists. Each of the 26 performers was allocated one evening slot. The event became a manifesto for the gallery's future programming: as Kyong Park wrote in his introduction, "Storefront supports the idea that art and design have the potential and responsibility to affect public policies which influence the quality of life and the future of all cities."

In late September 2007, Storefront will celebrate its 25th anniversary with a new edition of its first event. Entitled Performance Z-A, this 26-day celebration will be hosted in Petrosino Park, adjacent to Storefront, in a specially built pavilion designed by Korean architect Minsuk Cho. Organized by the three directors who have led Storefront over the past 25 years (Kyong Park, Sarah Herda and Joseph Grima), Performance Z-A will be an inclusive event involving not only performance artists but also representatives of all the disciplines that have participated in Storefront's program in the past decades: architects, artists, writers, researchers, filmmakers, photographers, musicians and more. For 26 days, from September 21 to October 16, 2007, the protagonists of Storefront's past, present and future will host 26 evening events including performances, concerts, open discussions, film screenings and interviews"
bjarke-ingels2.jpg

BIG Apple (pictured)
Opening Tuesday, October 2, 6:30 pm (Running until November 24)
Storefront for Art and Architecture
"BIG is a Copenhagen based group of over 80 architects, designers, builders and thinkers operating within the fields of architecture, urbanism, research and development. BIG’s architecture emerges out of a careful analysis of how contemporary life constantly evolves and changes. In their projects, BIG tests the effects of size and the balance of programmatic mixtures on the triple bottom line of the social, economical and ecological outcome. Like a form of programmatic alchemy, they create architecture by mixing conventional ingredients such as living, leisure, working, and shopping.

The exhibition will showcase some built works and a number of large-scale models illustrating proposals for innovative r