Sunday, January 31, 2010

Some Lettuce Grows in Manhattan

Decades from now 2009 may be seen as the year that vertical farming started to take hold. Time magazine named vertical farming one of last year's 50 best inventions. Proposals seemed to arrive almost weekly. And whole blogs -- or parts thereof -- are devoting themselves to the subject.

The push for more sustainable and less land-devouring, transportation-heavy, soil-depleting, ground-water-polluting practices of agriculture ranges from systems that fit inside buildings to skyscrapers devoted in their entirety to food production. The former is more immediate and realistic, while the latter's proposals are still in the realm of ideas and fantasy, at least on the large scale many envision them. Spurred by a recent Scientific American article -- penned by a Dickson Despommier, a vocal proponent of vertical farming and the president of the Vertical Farm Project -- I explored to see what forms these hypothetical vertical farms may take, and how they integrate with other functions to create a true urban agriculture, not just monocultural functionalism akin to agribusiness supplanted to the city.

v-farm0.jpg
[Kenn Brown Mondolithic Studios | image source]

The Scientific American article uses the above illustration -- a vertical farming campus of sorts -- to optimistically portray the possibilities, in terms of form and its relationship to the city it serves. The rendering shows not only the crops behind glass walls but also the vast amounts of infrastructure required for the functioning of such buildings, particularly power generation and water supply/reuse. Architecturally, considerations of massing, placement and solar orientation are more important than the design of the exterior envelope. The importance of sunlight even in urban vertical farming points to controls for retaining solar exposure in regards to nearby developments. This points to brownfield locations and others outside the city center as well as segregated zoning.

v-farm1.jpg
[WORKac for New York Magazine | image source]

A pre-2009 hypothetical proposal by Work Architecture Company for a site in SoHo terraced crops and other green uses in front of migrant housing, all above a farmer's market. Commissioned by New York Magazine, this sketch thoughtfully combines two important aspects of agricultural production while also acknowledging the surrounding neighborhood with a golf course, market and large-scale sculpture on the plaza. Hardly serious in execution but very much so in its programmatic details.

v-farm2.jpg
[Agro Housing by Knafo Klimor Architects | image source | via Veg.itecture]

Knafo Klimor Architects' winning entry for the Living Steel Competition also combines vertical farming with housing, the latter wrapped in a C-shape around the former. Designed for a location in China, the design resembles a community garden extruded twelve stories. I like this idea because it treats food production as a commons for personal consumption, though I doubt it could sustain all people living in the building; additional food (even ignoring meats, dairy, and other types of foods not able to be "grown" vertically) will need to be obtained from elsewhere to supplement what's grown locally.

v-farm3.jpg
[Designs for vertical farming | image source]

Inhabitat collects some of the more far-fetched proposals for dealing with an anticipated 3 billion more inhabitants on earth by 2050. The Inhabitat post discusses an op-ed New York Times piece by Mr. Despommier, who seems to be directing much of the discussion around large-scale vertical farming. I think proposals aligned with his thinking are many years off and small-scale urban farming should be nurtured as much, if not more than larger projects. Rooftops, windows, community gardens and other urban "sites" are ripe for exploitation for growing food, or at least for experimenting to determine the best ways to grow in such a setting, and as a way to shape future zoning laws and building codes towards embracing urban farming. Of course small-scale food production is already being done, but not as widely as it should be. The large-scale fantasies above might just have the benefit of increasing the implementation of small-scale urban farming as large-scale alternatives are designed and debated.

Friday, January 29, 2010

Today's archidose #390

Here are a couple views, outside and inside, of the Madinat Al Zahara Museum and Foundation Offices in Córdoba, Spain by Nieto Sobejano Arquitectos. Photographs are by pajaritos13.

medina azahara 01

medina azahara 03

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
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Thursday, January 28, 2010

Literary Dose #42

"Architects have more to offer their clients and society than they realize. Integrating design morphology, material science, and environmental sustainability will undoubtedly inform everyone what is possible or achievable in the built environment, in a manner not previously seen. A focus on architectural science (distinct from building science) must equal our overwhelming obsession with form. It must become the foundation by which to certify a new architectural expertise -- comparable in breadth and scope to medical research. The National Science Foundation should be the logical choice to fund such research but -- incredibly -- it does not recognize architecture as a science! We must demand that our representative organizations, such as the AIA, lobby to change this.

Today's broad societal concerns -- global warming, greenhouse gases, resource depletion -- will focus greater public attention than ever before toward architects for answers and innovative solutions. Should they fail, such attention will quickly be redirected elsewhere. The US Green Building Council, Architecture 2030, and Architecture for Humanity all raised broad public awareness on these issues well before any of the professional organizations did. This is not a coincidence but a wake-up call. Talking about green design can only go so far. Metrics derived from controlled testing -- automobile fuel mileage or appliance energy ratings, for example -- enable those with ideas to speak above the fray. Those who now seek government-funded building programs but fail to address the opportunity for digital design process change will have missed the point."
- "The Digital Design Ecosystem: Towards a Pre-Rational Architecture" by Paul Selestsky (senior manager of digital design in SOM's New York office) in Provisional: Emerging Modes of Architectural Practice USA, edited by Elite Kedan, F. Jonathan Dreyfous, Craig Mutter (Princeton Architectural Press, 2009, pp. 44-45)

Space Wanted

ArchNewsNow links to an article at the Center for an Urban Future at the Center for an Urban Future, which leads me to their sister organization City Limits magazine, where I find in their classifieds that design-guru Edward Tufte is in need of some gallery space in Manhattan.
Type of Ad: Space Wanted
Seeking: temporary art exhibition space
Organization Edward Tufte
Description Looking for short-term lease to rent 1500-4000 square foot storefront space for temporary art gallery/exhibition 3-4 months in Manhattan. High ceilings, windows onto street. Street level. Prefer art-friendly location. Contact Janet at etsculpture [at] gmail [dot] com
I'm wont to not only wonder about what fits his description (a Chelsea gallery, a vacant retail storefront) but also what doesn't fit. Why Manhattan? Why not Long Island City, South Bronx or Williamsburg? This could open up some interesting possibilities, though I'm guessing Tufte wants Manhattan because of it's proximity to other cultural venues and its high amount of foot traffic compared to other boroughs.

The ad was posted last week, so it's probably not too late. Any ideas? Contact Janet via the ad.

Wednesday, January 27, 2010

Lumenhaus Lands

Virginia Tech's entry to the 2009 U.S. DOE Solar Decathlon will be on display in Times Square's Duffy Plaza today and tomorrow. Pardon the late notice, but the anticipated five-day display, until Sunday, was just truncated to two days. After sunset tonight would be the best time to take in the house's distinctive Eclipsis facade system which glows colorfully at night. Even though the design did not place in the DOE contest, later in the year the house travels to Madrid to compete in the European Solar Decathlon, one of only two US houses invited to do so.

lumenhaus.jpg
[Not even close to what the house will look like tonight | image sources: Times Square, Lumenhaus (flipped) | rough montage by archidose]

VT's description of the Eclipsis system:
"The Eclipsis system is an advanced building façade comprising two layers: a metal shutter shade and a translucent insulating panel. The shutter shade slides along the north and south façades, providing protection from direct sunlight while simultaneously allowing for indirect, natural lighting, views to the exterior and privacy to those inside. The sliding insulating panel is a translucent polycarbonate panel filled with aerogel. Aerogel is a super lightweight, highly insulating translucent material that provides insulation equivalent to a typical sold wall during harsh weather conditions without blocking natural light."

Tuesday, January 26, 2010

Today's archidose #389


Barcelona Sky Hotel, originally uploaded by Manuel.A.69.

Habitat Sky Hotel in Barcelona, Spain by Dominique Perrault Architecture, 2008.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
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Monday, January 25, 2010

Monday, Monday

My weekly page update:

This week's dose features Terminus Hotel in Bergen, Norway by ON OFFICE:
this week's dose

The featured past dose is Hotel Lone in Rovinj, Croatia by 3LHD:
featured past dose

This week's book review is Inside Outside by Petra Blaisse; and Ken Smith: Landscape Architect by Ken Smith:
this week's book review

Some unrelated links for your enjoyment:
Architect, or Whatever
Catching up with 5 cents and other "out-of-work" architects.

Young Architect
A website about "empowering people interested in careers in architecture and design." (added to sidebar under architectural links::professional)

Energy Roof Perugia Italy
A strange design for a canopy in the center of Perugia by Coop Himmelb(l)au

Sunday, January 24, 2010

Half Dose #73: Leaf House

The following text and images are courtesy Undercurrent Architects for their Leaf House in Sydney, Australia. The firm's Palmwood House in London was featured previously on my weekly page. Photographs below are by Hugh Rutherford.

HD73a.jpg

Leaf House is building that allows users to be inside and in-the-garden at the same time. Located on an escarpment overlooking the Pacific Ocean, between rugged native bush and manicured garden, the building is a self contained cottage forming part of a private residence, consisting of a canopy roof over a stone podium and glass enclosed deck.

HD73b.jpg

The site is viewed and experienced in the round; from all sides, above and below. The building design is therefore unique from every aspect, constantly changing as it is moved in and around.

HD73c.jpg

From the house above, the building nestles within the tree line; a series of draped copper roofs reflecting the silhouette of a nearby headland & blending with surrounding foliage. The roof is shaped to minimize bulk while maximizing internal volume, a diffuse layering of curved steel panels combining roof with wall. The roof is articulated to provide visual interest from above, reflecting the stepped terracing of the terrain and softening the form and scale of the building. The building outline is further broken up by corrugated surfaces shifting geometry between layers, referencing background ocean patterns.

HD73d.jpg

At garden level, the terrain unfolds below the canopy roof and is shaped as it passes through the building. Traverse views are formed connecting different parts of the garden, blending the interior with the landscape around it. The roof cascades in line with the hill, focusing views towards the beach and forming deep awnings for solar control. Gaps between roof layers open up, permitting light and views to filtrate the interior.

HD73e.jpg

Three retaining terraces define the podium base: an upper level entry, a partially submerged main deck and an excavated lower level. On the main deck level, the interior is open to the garden. An enclosure of molded glass forms an undulating wall, softening views and reflections especially when illuminated at night. Daylight filters through the porous roof canopy into open plan living, kitchen and dining areas, bordered by a balcony and sun deck.

HD73f.jpg

Structural support for the roof is a woven and interdependent system of curved beams and columns, working in conjunction with the stressed-skin roof panels. The structure resonates with the energy of garden growth, bringing a sense of sponginess to underline the porous nature of the roof. Towards the ocean, the structure is bunched into a single load point, releasing panoramic views and freeing the perimeter. Uphill, it is stabilized by a spread of six inclined columns, driven to ground like heavy rain. Entry at the upper level provides an elevated perspective within the canopy space.

HD73g.jpg

The lower level is excavated into the terrain, partially protruding from the hill to capture light and views. It acts a thermal sink counterbalancing the more exposed upper levels, and contains introspective rooms such as library, bedroom and private living area. A stair void carries light and air into underground areas.

HD73h.jpg

The project entailed design and building roles as methods were improvised to achieve high technical complexity within cost constraints. Complex steel and glass forms were produced from standardized templates: glass being formed from 1 mold, flipped rotated and inverted to get apparent variations from a repetitive shape; roof panels derived from 2 templates with variable edges; beams to a series of set radii. Steel fabrication used industrial boat building methods with broad tolerances, so the structure was rapid to make, albeit with a rougher, handmade quality rather than sharp precision normally associated with building steel. This limited site work to rapid assembly of big parts, controlling costs and contractual works so that tasks were managed by a small team.

Saturday, January 23, 2010

Three NYC Projects

Within the last day or two or three came the announcement of a few new projects located in New York City.

3nyc-1.jpg
[Urban Umbrella by Young-Hwan Choi, University of Pennsylvania | image source]

Bustler reports that Urban Umbrella is the winning entry to the urbanSHED International Design Competition, which aims to "create a new standard of sidewalk shed design and develop a prototype worthy of today's New York City." Young-Hwan Choi, a first-year student at University of Pennsylvania, designed tree-like supports that give the impression of lightness and make the area under the "canopy" more porous and accessible. The ubiquitous sidewalk sheds limit movement via horizontal bars required for lateral stability. Choi's design uses Gothic-like ribs to addresses lateral forces in both directions. With lighting integrated into the tops of the ribs, it is a welcoming design, a definite improvement over what's been used for the last 50 years. If it will be as welcoming as the rendering above will be seen when a prototype is built in Lower Manhattan in the near future.

3nyc-2.jpg
[P.S. 1 Courtyard by SO-IL | image source]

The Architect's Newspaper reports that Brooklyn-based SO-IL are the winner of this year's P.S. 1 and MoMA's Young Architects Program. Titled Pole Dance, it is comprised of "nearly 100 fiberglass rods measuring 2-inches around and 25-feet tall that will be anchored into the ground at 12-foot intervals...14 feet up, at the height of the courtyard's walls, a stretchy, trapeze-like net measuring about 9,000 square feet will be bungeed to the walls and poles." The design is intended to "broadcast the activity inside to the city," according to the architects. Last year's winning design by Mos was realized for $70,000, but SO-IL will have $85,000 for construction of the eleventh YAP design. The first, Dunescape (PDF) by SHoP Architects, cost $50,000 and was far enough under budget the architects were able to pay the volunteer workers who helped build it. The difference between renderings and execution has diverged greatly in these projects, but one thing that's safe to say about SO-IL's is that it looks really fun.

3nyc-3.jpg
[Edible Schoolyard by WORKac | image source]

Arch Daily features the Edible Schoolyard project for P.S. 216 in Brooklyn by WORKac. At first glance it looks like two volumes, one opaque and one transparent, next to each other. But the "Mobile Greenhouse" will actually slide towards the "Kitchen Classroom" in the spring to cover the latter and uncover the area underneath that is kept warm and usable in the winter months. Not a bad idea, though maybe a tad excessive for a public school in Brooklyn. Maybe this sort of educational urban farming experiment will find some generous donors to make it happen as envisioned, so it's not value-engineered into something less kinetic.

Friday, January 22, 2010

(C)overlapping

Looking at this week's WAN BOOKS the cover of Eco Structures by Gianpaolo Sprito and Antonino Terranova struck me as quite familiar. Immediately I thought of Green Architecture by James Wines, published ten years earlier by Taschen. Both seem to find the Jean Marie Tjibaou Cultural Center in New Caledonia by Renzo Piano Building Workshop as the defining example of sustainably responsible architecture. Or at least the sexiest.

eco-green.jpg

Trying to find Eco Structures on Amazon.com, it appears that the US release will have a different cover, what looks to be the Eden Project in Cornwall, England by Grimshaw Architects.

Books Online

Previously I featured online books found at Issuu. Today I'm presenting a handful of books that can be downloaded as PDFs, though these just scratch the surface on architecture-related books that can be found in this format. The last illustrates how even books online don't have to be books in the traditional sense, but can be other content formatted into PDF pages.

books-online1.jpg
[Reinventing Grand Army Plaza by Design Trust for Public Space | 6mb PDF]


books-online2.jpg
[Street Design Manual by NYC DOT | 6.8mb lo-res PDF | 198mb hi-res PDF]


books-online3.jpg
[Always Building by Jim Long, Jennifer Magnolfi, Lois Maassen | 5.5mb PDF]


books-online4.jpg
[A synchronicity: Design Fictions for Asynchronous Urban Computing by Julian Bleecker and Nicolas Nova | 500k PDF]


books-online5.jpg
[The 21st Century Interior by D.J. Huppatz | 1.75mb PDF]


Know of others? Please leave a comment below with a link.

Wednesday, January 20, 2010

Today's archidose #388


UDG Science building, originally uploaded by Girona Mac.

Giroemprèn Building in the Scientific and Technological Park of the University of Girona in Girona, Spain by Strain Engineering, 2007.

To contribute your Flickr images for consideration, just:

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Tuesday, January 19, 2010

Architect Barbie?

Barbie's next career just might be architect. Yes, Barbie could be the one who "designs buildings and makes sure they're safe, sturdy, and cool-looking." Your vote (as often as you like, by the way) will determine if Barbie's next career will be architect, or maybe environmentalist, surgeon, news anchor, or computer engineer.

barbie.jpg

About ten years ago I remember an architect doll hitting the scene. Unfortunately all I can find are some mentions of Amanda the Architect from 2001, no images. My mind's eye sees her with dark hair, the requisite plastic frame glasses, and some gear (T-square, triangle) so people knew she was an architect and not something else white collar. Which makes me wonder, what would Barbie the architect look like? And if she were to become an architect, is this what she'd design?

Book Review: The Transparent City

The Transparent City by Michael Wolf
aperture, 2009
Hardcover, 112 pages

books09-aperture.jpg

Michael Wolf's photographs have an obvious and immediate appeal, especially his series focused on the building density and living conditions in China. The flattened elevations of high rises in the Architecture of Density border on the abstract; the repetition of windows and balconies is many times unrelieved, devoid of individual human expression. A much different, but no less beautiful result occurs in his recent Transparent City series shot in Chicago in late 2007, just as the economy started its downward spiral. This last fact is evident in the expressions of people found in Wolf's large-scale photographs, enlarged and pixelated as accompanying details.

The series was commissioned by the Museum of Contemporary Photography in Chicago and is wrapping up its exhibition at aperture gallery in New York City. The difference between the German-born photographers series in Asia and this one in the American Midwest is found in the architecture. Banal repetition gives way to variety, flat elevations become dynamic perspectival compositions. But it is the proximity of these photos that will attract people the most. Shooting from adjacent rooftops in the winter months (so people would still be in Loop office buildings when it was dark), Wolf is able to put the building occupants on display. This obvious voyeurism is humorously "critiqued" by a couple details: a man in a window apparently giving Wolf the finger, and a TV set displaying Rear Window with Jimmy Stewart pointing his camera and zoom lens towards his neighbors. Geoff Manaugh's essay focuses on these inhabitants, wondering about the potential in the scenes captured. Thankfully he keeps these speculations in check, and his requisite Ballard reference is fitting and insightful. It's a suitable companion to Wolf's stunning new perspective on downtown Chicago.

US: Buy from Amazon.com CA: Buy from Amazon.ca UK: Buy from Amazon.co.uk

Monday, January 18, 2010

Monday, Monday

My weekly page update:

This week's dose features Azteca Multimodal Transfer Station in Mexico City, Mexico by CC Arquitectos:
this week's dose

The featured past dose is Meditation House in Mexico City, Mexico by Pascal Arquitectos:
featured past dose

This week's book review is Shigeru Ban: Paper in Architecture essays by Riichi Miyake, edited by Ian Luna and Lauren A. Gould; and Material Immaterial: The New Work of Kengo Kuma by Botond Bognar:
this week's book review

Some unrelated links for your enjoyment:
Architects and Artisans
"A sophisticated, well-informed provider of content, images, and knowledge concerning excellent architecture, artisanship and sustainability for the 21st century." (added to sidebar under blogs::architecture)

Competition Competition 2010
Architizer's first competition, for non-winning entries to competitions in 2009.

Design Year Book
"A weblog dedicated to everything related to design, including product design, packaging, furniture, lightings, books, website, architecture, fashion & more." (added to sidebar under blogs::design+technology)

One Acre Fund Housing
"Process Blog for the design, construction, and use of housing for the One Acre Fund in Bungoma,Kenya; designed by Kit and Sam Kollmeyer, built by Construction for Change."

Travel With Frank Gehry
"Not just another architecture blog...Here you will find the world most trendiest spot to stay, visit, shop and eat when travel." (added to sidebar under architectural links::guides)

Sunday, January 17, 2010

Today's archidose #387


Chile 74 of 245, originally uploaded by John (& Beth) Zacherle.

Bicentennial Room in the Chilean National Library in Santiago Chile by A+F Arquitectos, 2009. See Arch Daily for information on the project.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose

Saturday, January 16, 2010

Urban Open Space Award

My first thought upon seeing mention of the ULI Amanda Burden Urban Open Space Award, which "celebrates and promotes vibrant, successful urban open spaces by annually recognizing and rewarding an outstanding example of a public destination that has enriched and revitalized its surrounding community," I figured the The High Line would be a no-contest winner. But taking a look at the rules I noticed that projects must "have been open to the public for at least one year and no more than ten years" (my emphasis). Section 1 of the High Line opened in June last year, making it ineligible for the $10,000 award "made possible through the generous contribution of Amanda Burden, New York City Planning Commissioner."

Another New York project unfortunately not eligible due to the same restrictions is the West Harlem Waterfront by W Architecture. It is a much less well-known park but one with as strong an impact on its community as the High Line. So what North American "public destination that has enriched and revitalized its surrounding community" should win? Here are a handful of places in the US that come to mind.

Millennium Park, Chicago, 2004
Watching, Waiting
[photo by archidose]
The Gehry Bandshell and Bridge, the Kapoor Bean, the Plensa Fountain, the Lurie Garden. Fortunately the half-a-billion-dollar park is more than the sum of its parts. Not only does Millennium Park help draw tourists to Chicago, it has helped reshape the future demographics of the Loop, bringing residents to its borders and pushing offices westward. The Art Institute's Renzo Piano-designed expansion that links to the park via a slender pedestrian bridge strenghten's this large segment of Grant Park even more.

Olympic Sculpture Park, Seattle, 2008
olympic-wm.jpg
[image source]
One of the most popular landscapes in recent years is Weiss/Manfredi's brilliant design for a former industrial site between downtown Seattle and Elliott Bay. The bending, continuous landscape traverses roadways and rail lines to connect the waterfront to the city above. A pavilion and large-scale sculpture are an extra incentive for people to visit the place. The design shows that enormous constraints can lead to great solutions, a great precedent for other post-industrial urban areas around the country.

55 Water Street, New York, 2005
55water.jpg
[photo by archidose]
This privately owned public space (POPS) in Lower Manhattan might be a bit too tucked away to have a large impact on its surroundings, but it is an excellent example of how a green roof can be accessible, beautiful, and have a presence beyond its footprint. Designed by Rogers Marvel Architects and Ken Smith, the space atop a parking garage is reached via escalators. It is anchored by a glass lantern in the far corner, an element that draws one through the space towards the water and the Brooklyn skyline beyond. A (faux?) grass area counters the native plantings that predominate. One does not even realize it is a green roof when there, it is so park-like.

Marsupial Bridge, Milwaukee, 2006
ladallman.jpg
[image source]
La Dallman Architects' wonderful, multi-faceted design north of downtown can be seen as a parasitic intervention. Pedestrian functions (path, bike lane, outdoor cinema) use the structure of an existing road bridge to further knit two side of the Milwaukee River. My favorite element is the urban plaza, a seating area under the bridge on the east bank that can act as a theater, among other potential uses. It is a great example of finding potential in the underused, common in places like Tokyo but hardly in the American Midwest.

Chinatown Park, Boston, 2007
chinatown.jpg
[image source]
On a recent visit to Boston, my first, I crossed the former elevated highway, now the Rose Fitzgerald Kennedy Greenway, a number of times, but I was never impressed by the treatment of the space. Seeing the wide swath of emptiness and the buildings on both sides, I yearned for more than just patches of green, benches, lights, and some sculptures. The open spaces needed some programming to fill the large voids along its length. One section of the Greenway I did not visit, but which looks more successful, is Chinatown Park at its southern end. Designed by Turenscape and Carol R Johnson Associates, the long and narrow space (it is located over an old off ramp) is now the largest open space in Boston's Chinatown, with open areas for celebrations balanced by intimate areas for solitude and relaxation. It shows that there is room in grand gestures for small, community-based environments.

Friday, January 15, 2010

Today's archidose #386

Fort Worth Museum of Science and History in Fort Worth, Texas by Legorreta + Legorreta, 2009. Photograph is by Kevin Buchanan for the Fort Worth Museum of Science and History, which has building information on its web site and a flickr set with more of his photos.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose

Wednesday, January 13, 2010

Minds in the Gutter

Just found out about Minds in the Gutter: a call for submissions. Sounds like a good idea for a competition, applicable well beyond New York City's boundaries.

gutter.jpg

Every time it rains in New York City, our combined sewer system gobbles up stormwater running off all hard surfaces - roadways, sidewalks, rooftops and parking lots - into the same network of pipes that carry our sewage. This system quickly reaches capacity, and the stormwater and sewage overflow into local waterways on the order of 27 billion gallons per year. This limits how New Yorkers can safely access the waterfront, and impairs our estuary ecosystem. It’s also a waste! Almost 30% of NYC’s surface is made of streets and sidewalks that contribute to this problem.

DESIGN QUESTION: How do we utilize the existing 6K miles of roadway and accompanying 12K miles of sidewalk as an opportunity for stormwater management? The majority of roads are crowned, water flows some distance along a gutter adjacent to sidewalks and existing vegetation and escapes into a storm drain. What can we do with what we’ve got? Where is your intervention?

Deadline: February 15, 2010

(via eOculus)

Tuesday, January 12, 2010

Today's archidose #385


Stuttgart, originally uploaded by arne boell.

Z-UP in Stuttgart, Germany by Architekturbüro Wolfgang Kergaßner, 2009.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose

Monday, January 11, 2010

Directors In, Directors Out

Yesterday The Architect's Newspaper announced that the Director of the Storefront for Art and Architecture, Jospeh Grimma will be leaving his position to return to Europe. Storefront's web page confirms this and gives details on the search for his replacement (send your CV and letter of interest to them by February 7th if you're interested).

This news comes only a few days after the Cooper-Hewitt announced their new Director, Bill Moggridge, "designer of the first laptop computer in 1980 and co-founder of IDEO, the renowned innovation and design firm." And last month The Architect's Newspaper also broke the story that Olympia Kazi is taking over as Executive Director at the Van Alen Institute, leaving the same post at the Institute for Urban Design. Neither organization's web page mentions this shift (IUD still lists Olympia as Executive Director under Staff and the Van Alen lists Joan Ockman as Interim Director under the same). Olympia's move comes shortly after the IUD announced their upcoming Urban Design Week received a hefty grant from the Rockefeller Foundation.

I'm wondering if the timing of these three (or is it four?) New York City architecture/design-related Director shifts is just a coincidence, or if the timing is related to something wider, such as the economy. I have no grounds to think there is something bigger leading to these, and maybe other shake-ups, but the timing surely makes me curious. Joseph held his post for about three years, Olympia for two, and Moggridge's predecessor for eight years. The first two organizations, and the Van Alen, are small beans compared to the Cooper-Hewitt, part of the even larger Smithsonian Institution, but all share a common goal of having strong international presences, extending their reach beyond the confines of their respective homes in New York City.

Monday, Monday

My weekly page update:

This week's dose features T-kwadraat in Tilburg, Netherlands by Bo.2 with vh architects:
this week's dose

The featured past dose is Carrigacunna Pool in Southern Ireland by Springett MacKay Architecture:
featured past dose

This week's book review is Frank Gehry: The Houses by Mildred Friedman:
this week's book review

Some unrelated links for your enjoyment:
The Third & The Seventh
"A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects" (via a number of web sites)

Hangar Design Group NY
Blog of the Brooklyn-based architects. (added to sidebar under blogs::offices)

arch thinking
"A repository of my thoughts about books, art, and architecture." (added to sidebar under blogs::architecture)

Sunday, January 10, 2010

Stumbles

In determining what buildings will make it into my guidebook of 21st-century New York City architecture I've tried to see every building that I've researched in one form or another (online, in a book, in a magazine, from your suggestions). In my various treks about the city to do the above I've stumbled across buildings unknown to me, documenting them with my digital camera and then using sites like New York City's Department of Building's BIS or ACRIS or Curbed to search for relevant information on the building, particularly the architect.

Below are some of those buildings. A few are candidates for my book, but even the ones that won't make the final cut have led me to architects and buildings I wouldn't have found otherwise, and in turn I've found some gems that way. These are examples of how research is a back-and-forth mix of various media: digital, print, and of course direct experience.

Bronx:
stumbles07.jpg
Randall Early Childhood Learning Center by Craig Rhodes Architect.

Brooklyn:
stumbles01.jpg
Boerum Hill Lofts by Coggan + Crawford.

stumbles02.jpg
Wyckoff Townhouse by Sarah Jeffreys Design.

stumbles03.jpg
Salle Residence and Studio by David Fratianne Architect and Christian Hubert.

stumbles06.jpg
FDNY EMS Station 32 by Beyhan Karahan Architect.

Manhattan:
stumbles12.jpg
3 Collister by BKSK Architects.

stumbles13.jpg
34 Debrosses Street by Handel Architects.

stumbles10.jpg
Orchard Street Residential Development by Ogawa/Depardon Architects.

stumbles09.jpg
Carriage House by Christoff:Finio Architects.

stumbles08.jpg
Gramercy 145 by Manuel Glas.

stumbles11.jpg
Number 5 by Philip Johnson Alan Ritchie Architects.

Queens:
stumbles04.jpg
GAM MEE OK by Ji-yaang Kim/Paprika Space Design.

stumbles05.jpg
Pioneer Academy by PKSB Architects.